5 Sep 1986 - Pan Am Flight 73 from Bombay to New York halts at Karachi. Four Palestinian terrorists seize the plane to hijack it. Their plan goes awry and they decide to kill all the people on board. Air hostess Neerja Bhanot saves 360 out of the 380 people on the flight - sacrificing her own life in the process. She was honoured with the Ashok Chakra (the highest peacetime gallantry award).
Director Ram Madhvani and scriptwriter Saiwyn Quadras don't put a foot wrong in telling the story - both as a taut thriller and an emotional drama. Sonam Kapoor gets to act for the first time in her career and delivers a controlled performance. Shabana Azmi hits the ball out of the stadium with her portrayal of Neerja's mother (as expected). Yogendra Tiku is also solid as Neerja's father.
Survival is the most fundamental instinct of any human. We all do our duty - but not at the cost of our life. Neerja Bhanot was a 22-year-old girl who had her whole life ahead of her. Two days before her 23rd birthday, she put her duty above her life. In doing so, she rose above ordinary and became extraordinary. She rose above good and became great.
In a telling moment, Neerja says "Main marne se pehle marna nahin chaahti". Haan Neerja-ji, bahut log marne se pehle hi mar jaate hain. Lekin aap marne ke baad bhi nahin mare. Aap amar hain. Pranaam, Neerja . . .
06 March 2016
28 February 2016
'Revenant': Review
In 1600, white Europeans started occupying the east coast of America. In 1776, they became free from British rule and founded a new country: the United States of America. By 1800, they occupied the eastern one-third of the land (upto the Mississippi river). After 1800, they moved into the western two-thirds of the land. Throughout this process, they massacred all the native American people they came across.
In 1823, an expedition went up the Missouri river. A bear attacked a hunter called Hugh Glass and left him half dead. The expedition abandoned him and continued on its way. Glass miraculously survived both his injuries and the harsh winter, and made his way across 300 km of hostile terrain to reach the nearest white camp. Then he set about wreaking vengeance on his unfaithful comrades.
In 2002, US trade representative Michael Punke wrote a novel called Revenant based on Hugh Glass's adventure. And last year, Mexican director Alejandro Inarritu made the book into a movie - starring Leonardo DiCaprio as Glass.
The central theme of Revenant is violence. There are two types of violence: man vs nature and man vs man. The clash between man and nature is for the sake of survival - and has some meaning. The conflict between man and man, on the other hand, is mainly due to greed - and is devoid of any meaning. Revenant uncompromisingly shows both the types of violence (especially the second type - in all its ugliness).
The story itself is a simple survival-cum-revenge drama. What sets the movie apart is the stunning visuals. Cinematographer Emmanuel Lubezki brilliantly captures the savage and majestic beauty of Canada's mountains, forests and rivers (where the movie was shot). Composer Ryuichi Sakamoto's music complements the pictures beautifully. Leonardo DiCaprio does a competent job. But the stand-out performance is from Tom Hardy, who plays the scumbag villain to perfection.
In 1823, an expedition went up the Missouri river. A bear attacked a hunter called Hugh Glass and left him half dead. The expedition abandoned him and continued on its way. Glass miraculously survived both his injuries and the harsh winter, and made his way across 300 km of hostile terrain to reach the nearest white camp. Then he set about wreaking vengeance on his unfaithful comrades.
In 2002, US trade representative Michael Punke wrote a novel called Revenant based on Hugh Glass's adventure. And last year, Mexican director Alejandro Inarritu made the book into a movie - starring Leonardo DiCaprio as Glass.
The central theme of Revenant is violence. There are two types of violence: man vs nature and man vs man. The clash between man and nature is for the sake of survival - and has some meaning. The conflict between man and man, on the other hand, is mainly due to greed - and is devoid of any meaning. Revenant uncompromisingly shows both the types of violence (especially the second type - in all its ugliness).
The story itself is a simple survival-cum-revenge drama. What sets the movie apart is the stunning visuals. Cinematographer Emmanuel Lubezki brilliantly captures the savage and majestic beauty of Canada's mountains, forests and rivers (where the movie was shot). Composer Ryuichi Sakamoto's music complements the pictures beautifully. Leonardo DiCaprio does a competent job. But the stand-out performance is from Tom Hardy, who plays the scumbag villain to perfection.
21 February 2016
'Spotlight': Review
If there is anything more evil than rape, it is the rape of children. In 2002, the newspaper 'Boston Globe' revealed that 250 Catholic priests in Boston had raped 1,000 children over almost 50 years. That triggered investigations all over America, which revealed that 5% of all priests had raped children, and the total number of victims was 1 lakh.
[Accurate numbers for rapist-priests and their child-victims are available only from America. We can extrapolate these numbers to the world to know the full scale of this evil. The total number of Catholic priests in the world is 4 lakh. 5% of that gives us 20,000 rapist-priests across the world. America's 7 crore Catholics have among them 1 lakh child-victims. So the world's 100 crore Catholics have among them a total of 14 lakh child-victims]
Further, Boston Globe revealed something that was much more stunning (if such a thing was possible): the Church KNEW about this. It knew about the evil right from the beginning. Not only that, it had also been actively covering up the rapes and protecting the rapist-priests. And this conspiracy of knowledge, silence and cover-up did not just involve the Bishops and the Cardinals. It went all the way up to the top - ie, the Vatican.
Tom McCarthy's Spotlight tells the story of Boston Globe's investigation. It shows how a team of investigative reporters painstakingly put together the pieces of the jigsaw puzzle one by one, and revealed the horrifying truth. Spotlight is movie-making at its old-fashioned best: a good story told by using a well-written script. There are no superstars, no special effects, no action and no romance. The result is a movie that is simple, but at the same time powerful and emotional.
The cast is made up of first-rate actors (Liev Schreiber, Michael Keaton, Mark Ruffalo, Stanley Tucci, Billy Crudup and Rachel McAdams) who deliver solid performances. But the real stars of the movie are the side-actors who play the rape victims. They steal the show with their heart-rending portrayals of innocent people whose lives were destroyed. Destroyed not just by a few evil men - but also by an evil system.
[Accurate numbers for rapist-priests and their child-victims are available only from America. We can extrapolate these numbers to the world to know the full scale of this evil. The total number of Catholic priests in the world is 4 lakh. 5% of that gives us 20,000 rapist-priests across the world. America's 7 crore Catholics have among them 1 lakh child-victims. So the world's 100 crore Catholics have among them a total of 14 lakh child-victims]
Further, Boston Globe revealed something that was much more stunning (if such a thing was possible): the Church KNEW about this. It knew about the evil right from the beginning. Not only that, it had also been actively covering up the rapes and protecting the rapist-priests. And this conspiracy of knowledge, silence and cover-up did not just involve the Bishops and the Cardinals. It went all the way up to the top - ie, the Vatican.
Tom McCarthy's Spotlight tells the story of Boston Globe's investigation. It shows how a team of investigative reporters painstakingly put together the pieces of the jigsaw puzzle one by one, and revealed the horrifying truth. Spotlight is movie-making at its old-fashioned best: a good story told by using a well-written script. There are no superstars, no special effects, no action and no romance. The result is a movie that is simple, but at the same time powerful and emotional.
The cast is made up of first-rate actors (Liev Schreiber, Michael Keaton, Mark Ruffalo, Stanley Tucci, Billy Crudup and Rachel McAdams) who deliver solid performances. But the real stars of the movie are the side-actors who play the rape victims. They steal the show with their heart-rending portrayals of innocent people whose lives were destroyed. Destroyed not just by a few evil men - but also by an evil system.
14 February 2016
'Deadpool': Review
Q: Who is a superhero?
A: A guy who wears a funny costume, has superpowers and beats up bad guys.
The superhero is an American phenomenon. It was the product of the Great Depression of the 1930s. The world's richest country found itself in the worst economic crisis in history. Americans yearned for a saviour to solve their problems. Enter the superhero: first Superman (1938) and Batman (1939). Later others followed.
Next the superhero moved from the comic book to the movies. The Big Three were the first: Superman, Batman and Spiderman. Then the river turned into a flood: X-Men and Avengers. Today superhero movies dominate Hollywood. The 12 Avengers movies have made a total of $9 billion, and account for 3 out of the 10 all-time biggest blockbusters. And this year will see more superhero movies: Batman V Superman: Dawn of Justice, Captain America: Civil War, X-Men: Apocalypse, etc.
Hollywood is the world's biggest movie industry. And within this industry, the superhero factory has become the biggest sub-industry. It is a factory in every sense of the word. It uses a formula to churn out assembly-line products, which we go to see like robots and turn into $1 billion blockbusters.
Enter Deadpool: anti-hero, anti-superhero and basically anti-everything. Deadpool is not just an anti-hero, or even an anti-superhero. He is anti-superhero-industry. Nothing is sacred for this wisecracker. There are no holy cows for this smartass. He makes fun of everything and everybody – including (of course) himself. He fights fast, but talks even faster.
Scriptwriters Rhett Reese and Paul Wernick use the standard superhero formula story as a vehicle to mock the superhero industry itself. The tongue-in-cheek humour is fast, furious and deliciously irreverent. Ryan Reynolds delivers the jokes with a deadpan face (maybe it has something to do with his wearing a mask all the time). The action (and romance) is just a sideshow. Deadpool is all about the humour: no-holds-barred and in-your-face.
'Government controls. Art liberates' is the conventional wisdom. But what when art becomes an industry and a system of control – as it has become today? Artists make fun of government. But who will make fun of artists when they become powerful – as they have become today? Then you need an anti-artist like director Tim Miller, to make anti-art like Deadpool.
We need Christopher Nolan's Batman to ask existential questions and to seek metaphysical answers. We also need Deadpool to laugh at ourselves, our lives and the world.
A: A guy who wears a funny costume, has superpowers and beats up bad guys.
The superhero is an American phenomenon. It was the product of the Great Depression of the 1930s. The world's richest country found itself in the worst economic crisis in history. Americans yearned for a saviour to solve their problems. Enter the superhero: first Superman (1938) and Batman (1939). Later others followed.
Next the superhero moved from the comic book to the movies. The Big Three were the first: Superman, Batman and Spiderman. Then the river turned into a flood: X-Men and Avengers. Today superhero movies dominate Hollywood. The 12 Avengers movies have made a total of $9 billion, and account for 3 out of the 10 all-time biggest blockbusters. And this year will see more superhero movies: Batman V Superman: Dawn of Justice, Captain America: Civil War, X-Men: Apocalypse, etc.
Hollywood is the world's biggest movie industry. And within this industry, the superhero factory has become the biggest sub-industry. It is a factory in every sense of the word. It uses a formula to churn out assembly-line products, which we go to see like robots and turn into $1 billion blockbusters.
Enter Deadpool: anti-hero, anti-superhero and basically anti-everything. Deadpool is not just an anti-hero, or even an anti-superhero. He is anti-superhero-industry. Nothing is sacred for this wisecracker. There are no holy cows for this smartass. He makes fun of everything and everybody – including (of course) himself. He fights fast, but talks even faster.
Scriptwriters Rhett Reese and Paul Wernick use the standard superhero formula story as a vehicle to mock the superhero industry itself. The tongue-in-cheek humour is fast, furious and deliciously irreverent. Ryan Reynolds delivers the jokes with a deadpan face (maybe it has something to do with his wearing a mask all the time). The action (and romance) is just a sideshow. Deadpool is all about the humour: no-holds-barred and in-your-face.
'Government controls. Art liberates' is the conventional wisdom. But what when art becomes an industry and a system of control – as it has become today? Artists make fun of government. But who will make fun of artists when they become powerful – as they have become today? Then you need an anti-artist like director Tim Miller, to make anti-art like Deadpool.
We need Christopher Nolan's Batman to ask existential questions and to seek metaphysical answers. We also need Deadpool to laugh at ourselves, our lives and the world.
26 January 2016
'Airlift': A Review
Raja Krishna Menon delivers something almost unheard of in Bollywood: a realistic drama and a gripping thriller. Right at the start you realise this is not just another Bollywood movie – whether it is the impressive scenes of a Kuwait City ravaged by the invading Iraqi army (2 Aug 1990) or the grim depiction of the fear and unpredictability of a war-zone. This is not a boy-meets-girl movie.
The saga of evacuating the 1.7 lakh Indians in Kuwait is portrayed with all its twists and turns – including (of course) the infuriating slowness of India's bureaucratic machinery, whose wheels grind at a snail's pace. The script and the direction keep getting better as the movie progresses. The actors do a competent job. They don't try to overact, but simply allow the script to do its work. Akshay Kumar gives a restrained and understated performance.
The movie is inevitably inviting comparisons with two classics of this genre: Schindler's List and Hotel Rwanda (anybody who mentions Argo here should be shot). Airlift doesn't match those masterpieces, but such comparisons show its quality. This is a remarkable achievement for Raja Krishna Menon working in the Bollywood system.
Watch Airlift. Not because it is patriotic, but because it is a good story – well written, well directed and well acted. The patriotism is just a bonus :-)
Liberals are calling the movie 'jingoistic'. Apparently, only Hollywood has the licence to make patriotic movies. Only Americans have the right to be patriotic. We Indians are supposed to be like stones.
The saga of evacuating the 1.7 lakh Indians in Kuwait is portrayed with all its twists and turns – including (of course) the infuriating slowness of India's bureaucratic machinery, whose wheels grind at a snail's pace. The script and the direction keep getting better as the movie progresses. The actors do a competent job. They don't try to overact, but simply allow the script to do its work. Akshay Kumar gives a restrained and understated performance.
The movie is inevitably inviting comparisons with two classics of this genre: Schindler's List and Hotel Rwanda (anybody who mentions Argo here should be shot). Airlift doesn't match those masterpieces, but such comparisons show its quality. This is a remarkable achievement for Raja Krishna Menon working in the Bollywood system.
Watch Airlift. Not because it is patriotic, but because it is a good story – well written, well directed and well acted. The patriotism is just a bonus :-)
Liberals are calling the movie 'jingoistic'. Apparently, only Hollywood has the licence to make patriotic movies. Only Americans have the right to be patriotic. We Indians are supposed to be like stones.
15 January 2016
Quentin Tarantino's 'Hateful Eight'
What is a movie? It is a story told by using moving images and words. That is, in a movie the purpose of words is to tell the story. Words are the means to an end - not an end in itself. The end of a movie is the story.
This is how almost all movies are. Except Quentin Tarantino's. For QT (and his fans), it is the other way around. The story is the means, and the words are the end. The story is just an excuse to bombard the viewer with words – lots of words.
In one sense, this is justifiable. Real life is like this only. People simply talk (a lot) all the time. Their words (and actions) are completely random. They are not part of a straight-line story inside a scriptwriter's head. So in that sense, this style/approach is more realistic. But then again, one purpose of art is to impose some order on a chaotic reality – rather than merely reproducing it as it is.
So that is the USP of QT – words, a lot of words. His movies are filled with the characters having random conversations on everything from the meaning of life to the most mundane matters. QT fans love it. QT critics hate it.
The second feature of QT is violence – lots of violence. But this is not a unique feature. What is unique perhaps is the blood. Other directors have higher body counts. But QT has the highest litre count.
The third and final feature of QT is nihilism. There is no 'victory of good over evil' or 'triumph of the human spirit' in QT. Life is meaningless. And everybody dies in the end – both the bad guys and the good guys.
So this is the QT package. If you like this, you will like Hateful Eight. It is verbose, violent and nihilistic. Samuel L Jackson holds the movie together with his masterful presence. Walton Goggins supports him with a brilliant performance. And Ennio Morricone's music is a majestic contrast (or complement?) to the X-rated language, violence and nihilism.
This is how almost all movies are. Except Quentin Tarantino's. For QT (and his fans), it is the other way around. The story is the means, and the words are the end. The story is just an excuse to bombard the viewer with words – lots of words.
In one sense, this is justifiable. Real life is like this only. People simply talk (a lot) all the time. Their words (and actions) are completely random. They are not part of a straight-line story inside a scriptwriter's head. So in that sense, this style/approach is more realistic. But then again, one purpose of art is to impose some order on a chaotic reality – rather than merely reproducing it as it is.
So that is the USP of QT – words, a lot of words. His movies are filled with the characters having random conversations on everything from the meaning of life to the most mundane matters. QT fans love it. QT critics hate it.
The second feature of QT is violence – lots of violence. But this is not a unique feature. What is unique perhaps is the blood. Other directors have higher body counts. But QT has the highest litre count.
The third and final feature of QT is nihilism. There is no 'victory of good over evil' or 'triumph of the human spirit' in QT. Life is meaningless. And everybody dies in the end – both the bad guys and the good guys.
So this is the QT package. If you like this, you will like Hateful Eight. It is verbose, violent and nihilistic. Samuel L Jackson holds the movie together with his masterful presence. Walton Goggins supports him with a brilliant performance. And Ennio Morricone's music is a majestic contrast (or complement?) to the X-rated language, violence and nihilism.
25 December 2015
'Star Wars: Force Awakens'
J J Abrams is a brilliant storyteller. He made the TV serial Lost and movies like Mission Impossible 3 and Star Trek. So when he was hired to continue the Star Wars saga, we had great expectations. Could he take Star Wars to the next level - like Christopher Nolan did with Batman?
If you thought like this, Force Awakens is a bloody nightmare. Because Episode 7 is just a remix of the old Star Wars story (especially New Hope). The characters have simply been recycled into new avatars:
Darth Vader --> Kylo Ren
Luke Skywalker --> Rey
Emperor Palpatine --> Supreme Leader Snoke
Galactic Empire --> First Order
Death Star --> Starkiller Base
R2D2 --> BB8
The 'scriptwriters' have simply done Ctrl-H (find & replace) on the old script. Above all, the core element of the hexology - the father/son story - has also been recycled! [Who is father? Who is son? You also pay your hard-earned money, like me, to find out!]
What went wrong? Disney didn't give Abrams any freedom (like Warner Bros gave to Nolan)? Or Abrams himself decided to play safe? The original was almost 40 years ago. So half the suckers today weren't even born then. The kindest verdict on Force Awakens is that it is just an introduction to the real story - which will be told in Episodes 8 and 9. We will see.
Anyway, what does it matter? Disney is laughing all the way to the bank. Force Awakens has already grossed $750 million, and will easily reach $2 billion. It is a triumph of the Hollywood marketing machinery. However, real Star Wars fans should be deeply disappointed. J J Abrams had the Force. But he chose to embrace the Dark Side.
PS: Almost all critics have given this xerox copy rave reviews (Rotten Tomatoes rating is 95%). How is this possible? The only answer is herd mentality. See Crucible (1996) for a brilliant analysis of herd mentality.
If you thought like this, Force Awakens is a bloody nightmare. Because Episode 7 is just a remix of the old Star Wars story (especially New Hope). The characters have simply been recycled into new avatars:
Darth Vader --> Kylo Ren
Luke Skywalker --> Rey
Emperor Palpatine --> Supreme Leader Snoke
Galactic Empire --> First Order
Death Star --> Starkiller Base
R2D2 --> BB8
The 'scriptwriters' have simply done Ctrl-H (find & replace) on the old script. Above all, the core element of the hexology - the father/son story - has also been recycled! [Who is father? Who is son? You also pay your hard-earned money, like me, to find out!]
What went wrong? Disney didn't give Abrams any freedom (like Warner Bros gave to Nolan)? Or Abrams himself decided to play safe? The original was almost 40 years ago. So half the suckers today weren't even born then. The kindest verdict on Force Awakens is that it is just an introduction to the real story - which will be told in Episodes 8 and 9. We will see.
Anyway, what does it matter? Disney is laughing all the way to the bank. Force Awakens has already grossed $750 million, and will easily reach $2 billion. It is a triumph of the Hollywood marketing machinery. However, real Star Wars fans should be deeply disappointed. J J Abrams had the Force. But he chose to embrace the Dark Side.
PS: Almost all critics have given this xerox copy rave reviews (Rotten Tomatoes rating is 95%). How is this possible? The only answer is herd mentality. See Crucible (1996) for a brilliant analysis of herd mentality.
30 November 2015
America In West Asia
America in West Asia:
9/11 happens.
US hawks: Saddam did it.
World: Nuts!
US hawks: OK, Al-Qaeda did it. But it has a base in Iraq.
World: Nuts!
US hawks: OK, Saddam has WMDs.
World: Nuts!
US hawks: Go to hell! We'll invade Iraq anyway.
America invades Iraq.
Number of WMDs in Iraq = 0.
World: WMDs?!
US hawks: Never mind. Saddam was a dictator. We'll make Iraq a democracy.
Civil war breaks out in Iraq between Sunnis & Shias.
World: Democracy?!
US hawks: (Silence)
'Arab Spring' begins.
US hawks: We triggered the Arab Spring by invading Iraq.
World: Nuts!
Revolt begins in Syria against Bashar Al-Assad.
US hawks: Assad must go.
World: Nuts!
'Arab Spring' turns into 'Arab Nightmare'.
World: Do you still take credit for this?
US hawks: (Silence)
Syrian rebels turn out to be Al-Qaeda.
World: You want Al-Qaeda to rule Syria?
US hawks: (Silence)
Al-Qaeda moves into Iraq.
World: You were right - Al-Qaeda is in Iraq... now.
US hawks: (Silence)
[5,00,000 Iraqi men, women & children have been killed due to the US invasion & its aftermath]
9/11 happens.
US hawks: Saddam did it.
World: Nuts!
US hawks: OK, Al-Qaeda did it. But it has a base in Iraq.
World: Nuts!
US hawks: OK, Saddam has WMDs.
World: Nuts!
US hawks: Go to hell! We'll invade Iraq anyway.
America invades Iraq.
Number of WMDs in Iraq = 0.
World: WMDs?!
US hawks: Never mind. Saddam was a dictator. We'll make Iraq a democracy.
Civil war breaks out in Iraq between Sunnis & Shias.
World: Democracy?!
US hawks: (Silence)
'Arab Spring' begins.
US hawks: We triggered the Arab Spring by invading Iraq.
World: Nuts!
Revolt begins in Syria against Bashar Al-Assad.
US hawks: Assad must go.
World: Nuts!
'Arab Spring' turns into 'Arab Nightmare'.
World: Do you still take credit for this?
US hawks: (Silence)
Syrian rebels turn out to be Al-Qaeda.
World: You want Al-Qaeda to rule Syria?
US hawks: (Silence)
Al-Qaeda moves into Iraq.
World: You were right - Al-Qaeda is in Iraq... now.
US hawks: (Silence)
[5,00,000 Iraqi men, women & children have been killed due to the US invasion & its aftermath]
31 October 2015
Sardar Patel: The Re-Unification of India
India was born 5000 years ago. Around 300 BC, Chanakya and Chandragupta unified this land from the Himalayas to the Indian Ocean. But the unity lasted only 100 years. After Ashoka, India broke up into many kingdoms. And starting around 700 AD, she was conquered and ruled by foreign invaders.
Finally in 1947, the last foreign invader - the British - left. But they handed over to us only the half of India that they directly ruled. The other half was made up of 565 kingdoms. They had to be merged with the rest of the country if we were to be both free and united. It was done by one man - Sardar Vallabhai Patel. (So the liberals' argument that the British made/ created/ united India is b***s***)
So more than 2000 years after the Maurya Empire, we were free and united again (of course, with the exception of Sindh, West Punjab & East Bengal). All because of one man - Sardar Patel. This was the re-unification of India. And that is what it should be called. Instead, Leftist historians called it 'Integration of Princely States'. They deliberately coined this silly phrase to downplay the magnitude of Sardar Patel's achievement.
Let us call a spade, a spade. Sardar Patel was not an 'integrator of princely states'. He was the re-unifier of India. Today on his 140th birthday, let us remember this great son of Mother India, and thank him for the priceless gift of freedom and unity he gave us. Bharat Mata ki jai!
Finally in 1947, the last foreign invader - the British - left. But they handed over to us only the half of India that they directly ruled. The other half was made up of 565 kingdoms. They had to be merged with the rest of the country if we were to be both free and united. It was done by one man - Sardar Vallabhai Patel. (So the liberals' argument that the British made/ created/ united India is b***s***)
So more than 2000 years after the Maurya Empire, we were free and united again (of course, with the exception of Sindh, West Punjab & East Bengal). All because of one man - Sardar Patel. This was the re-unification of India. And that is what it should be called. Instead, Leftist historians called it 'Integration of Princely States'. They deliberately coined this silly phrase to downplay the magnitude of Sardar Patel's achievement.
Let us call a spade, a spade. Sardar Patel was not an 'integrator of princely states'. He was the re-unifier of India. Today on his 140th birthday, let us remember this great son of Mother India, and thank him for the priceless gift of freedom and unity he gave us. Bharat Mata ki jai!
11 September 2015
A Short History Of The World
A short history of the world:
1. America fought USSR.
2. Jihadis fought USSR.
3. So America helped jihadis.
4. Jihadis formed Al-Qaeda.
5. Al-Qaeda attacked America.
6. America blamed Iraq.
7. America invaded Iraq.
8. Islamic State took over Iraq.
9. America is fighting Islamic State. (See #1)
10. Al-Qaeda is fighting Islamic State. (See #2)
11. So... (See #3)
Moral: The more things change, the more they remain the same.
1. America fought USSR.
2. Jihadis fought USSR.
3. So America helped jihadis.
4. Jihadis formed Al-Qaeda.
5. Al-Qaeda attacked America.
6. America blamed Iraq.
7. America invaded Iraq.
8. Islamic State took over Iraq.
9. America is fighting Islamic State. (See #1)
10. Al-Qaeda is fighting Islamic State. (See #2)
11. So... (See #3)
Moral: The more things change, the more they remain the same.
01 August 2015
'Post-Industrial Society'
In 1971, French sociologist Alain Touraine wrote a book called Post-Industrial Society. He said that Western society after 1950 had entered a new stage of development – the 'post-industrial' stage. His thesis was:
In 1973, American sociologist Daniel Bell wrote a book called Coming of Post-Industrial Society, and popularised this idea among English-speaking social scientists. And in 1980, American futurologist Alvin Toffler wrote a book called Third Wave, and popularised this idea among laymen across the world.
Is this thesis correct?
There are some differences between early industrial society (the West till 1950) and advanced industrial society (the West after 1950). But they are nothing compared to the differences between agricultural society and industrial society. Touraine, Bell, Toffler (and others) are 20th century Westerners who have never seen agricultural society. So they do not know the huge chasm that separates agricultural society and industrial society. They saw the minor differences between early industrial society and advanced industrial society, and jumped to the conclusion that the latter is a new stage of society. It is not. It is only the second sub-stage of industrial society.
So the term 'post-industrial' (and 'post-modern') is meaningless.
| 1. Agricultural | ||
| 2. Industrial | ||
| 3. 'Post-Industrial' |
In 1973, American sociologist Daniel Bell wrote a book called Coming of Post-Industrial Society, and popularised this idea among English-speaking social scientists. And in 1980, American futurologist Alvin Toffler wrote a book called Third Wave, and popularised this idea among laymen across the world.
Is this thesis correct?
There are some differences between early industrial society (the West till 1950) and advanced industrial society (the West after 1950). But they are nothing compared to the differences between agricultural society and industrial society. Touraine, Bell, Toffler (and others) are 20th century Westerners who have never seen agricultural society. So they do not know the huge chasm that separates agricultural society and industrial society. They saw the minor differences between early industrial society and advanced industrial society, and jumped to the conclusion that the latter is a new stage of society. It is not. It is only the second sub-stage of industrial society.
So the term 'post-industrial' (and 'post-modern') is meaningless.
19 July 2015
'Baahubali - 1': Review
Review of 'Baahubali-1':
A. Traditional Indian Story =
"Once upon a time, there was a king. He was good, brave & wise . . . "
B. Typical Indian Movie =
Handsome hero + beautiful heroine + wicked villain + romance + songs-dances + drama + action
C. South Indian Masala =
LTL + OTT (larger than life + over the top)
D. Hollywood Seasoning =
CGI special effects
A + B + C + D = 'BAAHUBALI'! :-)
* Paisa-vasool scene: When Kattappa places Baahubali's foot on his head.
* Best performance: Satyaraj (Kattappa)
* Doesn't Prabhas look like Manoj Bajpai?
* Why the hell can't we see this movie (& others) in Kannada?
A. Traditional Indian Story =
"Once upon a time, there was a king. He was good, brave & wise . . . "
B. Typical Indian Movie =
Handsome hero + beautiful heroine + wicked villain + romance + songs-dances + drama + action
C. South Indian Masala =
LTL + OTT (larger than life + over the top)
D. Hollywood Seasoning =
CGI special effects
A + B + C + D = 'BAAHUBALI'! :-)
* Paisa-vasool scene: When Kattappa places Baahubali's foot on his head.
* Best performance: Satyaraj (Kattappa)
* Doesn't Prabhas look like Manoj Bajpai?
* Why the hell can't we see this movie (& others) in Kannada?
01 July 2015
India's Complexity/Diversity: Survey Categories
If you want to do a survey for India, what are the various categories you have to cover – so that your survey captures the whole country?
A. ZONE
1. North+Central
2. South
3. West
4. East
5. North-east
B. LOCATION
1. City
2. Town
3. Village
C. SEX
1. Male
2. Female
D. AGE
1. Young
2. Middle-age
3. Old
E. CLASS
1. Middle class
2. Lower class
3. Poor
F. CASTE
1. Upper-caste
2. OBC
3. SC/ST
4. Other
So total number of survey categories = 5 x 3 x 2 x 3 x 3 x 4 = 1080!!!
A. ZONE
1. North+Central
2. South
3. West
4. East
5. North-east
B. LOCATION
1. City
2. Town
3. Village
C. SEX
1. Male
2. Female
D. AGE
1. Young
2. Middle-age
3. Old
E. CLASS
1. Middle class
2. Lower class
3. Poor
F. CASTE
1. Upper-caste
2. OBC
3. SC/ST
4. Other
So total number of survey categories = 5 x 3 x 2 x 3 x 3 x 4 = 1080!!!
03 June 2015
'Mad Max: Fury Road'
The 1973 & 1979 oil shocks increased oil from $20 to $100. The world suddenly faced a new question: What if oil runs out?
In 1980, Australian director George Miller made a movie called Mad Max to answer this question. In an imaginary future – oil becomes scarce, modern civilisation disappears, and humans go back to living as savages. The movie became a blockbuster and a cult classic.
35 years later, George Miller remakes Mad Max with Tom Hardy (Bane in Dark Knight Rises). Human society has been through 3 stages: tribal, agricultural & industrial/modern. But its fundamental forces have always been - and will always be - the same: resources/wealth, power & religion. Mad Max: Fury Road illustrates this truth brilliantly.
Even if you don't care about social-economic-philosophical analysis, watch it (if you haven't already). Because it's one hell of a kick-ass action movie! :-)
Trivia:
* The movie was shot in Namibia.
* Heath Ledger was the 1st choice for the new Mad Max.
* George Miller's other movies include Babe: Pig in the city and Happy Feet!
In 1980, Australian director George Miller made a movie called Mad Max to answer this question. In an imaginary future – oil becomes scarce, modern civilisation disappears, and humans go back to living as savages. The movie became a blockbuster and a cult classic.
35 years later, George Miller remakes Mad Max with Tom Hardy (Bane in Dark Knight Rises). Human society has been through 3 stages: tribal, agricultural & industrial/modern. But its fundamental forces have always been - and will always be - the same: resources/wealth, power & religion. Mad Max: Fury Road illustrates this truth brilliantly.
Even if you don't care about social-economic-philosophical analysis, watch it (if you haven't already). Because it's one hell of a kick-ass action movie! :-)
Trivia:
* The movie was shot in Namibia.
* Heath Ledger was the 1st choice for the new Mad Max.
* George Miller's other movies include Babe: Pig in the city and Happy Feet!
01 June 2015
India's Complexity: Religion, Language, Caste
India's complexity (religion, language, caste):
| Country | |||
| India | |||
| China | |||
| America |
Total number of combinations possible in India = 7 X 15 X 5,000 = 5,25,000.
30 May 2015
Kannada Movie Industry: Economic Analysis
Q: Why is the Kannada movie industry so weak – especially when compared to its neighbours?
Total revenue figures are not available for the Kannada and Malayalam movie industries. So we use another measure:
Immediately we see the strength of each film industry. How to explain this difference? We start with the most basic fact:
1. Karnataka is straightaway at a disadvantage – being only the 3rd biggest state in south India. (only Kerala is smaller)
But how many people actually speak Kannada (as their 1st language)?
2. Now the situation becomes even worse. The Kannada-speaking population is much smaller than Karnataka's population. In every state, some people speak another language (as their 1st language). But the situation is worst in Karnataka.
[So Karnataka's size is misleading – only about 60% of its people speak Kannada as their 1st language]
Next, it's not enough to have people. The people need money to see movies. So:
3. The situation gets even worse for Karnataka – with almost the lowest per capita income in south India.
[Tamil Nadu is the most developed state; but Kerala has the highest per capita income due to money sent by Keralite workers in West Asia]
Finally if we multiply the per capita income by the number of language-speakers, we get a measure of the total market size in that language:
4. The Kannada movie industry has the smallest market in south India. The markets for the Telugu and Tamil movie industries are almost 2 times bigger.
That is why the Kannada movie industry is so weak.
| Kannada | |
| Telugu | |
| Tamil | |
| Malayalam |
Total revenue figures are not available for the Kannada and Malayalam movie industries. So we use another measure:
| Kannada | ||
| Telugu | ||
| Tamil | ||
| Malayalam |
Immediately we see the strength of each film industry. How to explain this difference? We start with the most basic fact:
| Karnataka | |
| Andhra Pradesh | |
| Tamil Nadu | |
| Kerala |
1. Karnataka is straightaway at a disadvantage – being only the 3rd biggest state in south India. (only Kerala is smaller)
But how many people actually speak Kannada (as their 1st language)?
| Kannada | |
| Telugu | |
| Tamil | |
| Malayalam |
2. Now the situation becomes even worse. The Kannada-speaking population is much smaller than Karnataka's population. In every state, some people speak another language (as their 1st language). But the situation is worst in Karnataka.
[So Karnataka's size is misleading – only about 60% of its people speak Kannada as their 1st language]
Next, it's not enough to have people. The people need money to see movies. So:
| Karnataka | |
| Andhra Pradesh | |
| Tamil Nadu | |
| Kerala |
3. The situation gets even worse for Karnataka – with almost the lowest per capita income in south India.
[Tamil Nadu is the most developed state; but Kerala has the highest per capita income due to money sent by Keralite workers in West Asia]
Finally if we multiply the per capita income by the number of language-speakers, we get a measure of the total market size in that language:
| Kannada | |
| Telugu | |
| Tamil | |
| Malayalam |
4. The Kannada movie industry has the smallest market in south India. The markets for the Telugu and Tamil movie industries are almost 2 times bigger.
That is why the Kannada movie industry is so weak.
30 April 2015
Bollywood/India's Movies: Logic and Realism
Logic and realism are industrial values. That is, they are the values of an industrial society (in-soc). They do not exist in an agricultural society (ag-soc). What does this mean for art – especially motion picture?
Movies in industrial societies (US & Europe) are logical and realistic. Movies in an agricultural society (like India) are not logical and realistic. How are they then? They are just the modern (technologically, not culturally) version of the village play. In fact, it can be argued that village plays are more logical and realistic than ag-soc movies – the former are stories from Ramayana and Mahabharata. For the real inspiration of the ag-soc movie, we must look elsewhere.
In the old days, a "picture man" travelled from village to village with his "picture box". If you looked into the window of the picture-box, you could see a picture. The picture-man would turn a lever, and you could see different pictures one after another. The pictures were sights from the big cities: Bangalore (Vidhan Soudha), Bombay (Gateway of India), Delhi (Red Fort), etc. You would pay the picture-man a coin for this pleasure. The ag-soc movie is nothing but the hi-tech version of the village picture-box.
The ag-soc movie is not what a movie should be: a logical and realistic story told using moving images. Instead it is just a visual spectacle: handsome hero, beautiful heroine, nice houses, nice clothes, songs and dances, some romance, ugly villain, some violence, uglier comedian, some humour, saintly mother, some melodrama, hero and heroine marry, then they live happily ever after. This is the typical ag-soc movie. (And Bangalore/Bombay/Delhi are out of the question; we are shown New York/London/Paris instead)
This is why Indian movies are illogical and unrealistic. As India becomes an industrial society, hopefully it will make logical and realistic movies.
Movies in industrial societies (US & Europe) are logical and realistic. Movies in an agricultural society (like India) are not logical and realistic. How are they then? They are just the modern (technologically, not culturally) version of the village play. In fact, it can be argued that village plays are more logical and realistic than ag-soc movies – the former are stories from Ramayana and Mahabharata. For the real inspiration of the ag-soc movie, we must look elsewhere.
In the old days, a "picture man" travelled from village to village with his "picture box". If you looked into the window of the picture-box, you could see a picture. The picture-man would turn a lever, and you could see different pictures one after another. The pictures were sights from the big cities: Bangalore (Vidhan Soudha), Bombay (Gateway of India), Delhi (Red Fort), etc. You would pay the picture-man a coin for this pleasure. The ag-soc movie is nothing but the hi-tech version of the village picture-box.
The ag-soc movie is not what a movie should be: a logical and realistic story told using moving images. Instead it is just a visual spectacle: handsome hero, beautiful heroine, nice houses, nice clothes, songs and dances, some romance, ugly villain, some violence, uglier comedian, some humour, saintly mother, some melodrama, hero and heroine marry, then they live happily ever after. This is the typical ag-soc movie. (And Bangalore/Bombay/Delhi are out of the question; we are shown New York/London/Paris instead)
This is why Indian movies are illogical and unrealistic. As India becomes an industrial society, hopefully it will make logical and realistic movies.
This analysis applies to all Indian cinema: Kannada, Hindi (Bollywood), Telugu, Tamil, etc.
30 March 2015
India's Greatest Prime Ministers (Ranking: Best/Worst)
Ranking of India's greatest Prime Ministers (best to worst):
1. P V Narasimha Rao
For starting India's real modernisation in 1991 by switching the economy from socialism to capitalism.
2. Jawaharlal Nehru
For helping India to survive as a free and united country by steering the Republic in its infancy.
3. Lal Bahadur Shastri
For making India self-reliant in food production by fathering the Green Revolution in 1966.
4. Atal Behari Vajpayee
For making India a nuclear-weapon power and continuing its modernisation.
5. Rajiv Gandhi
For not doing much good, but not doing much harm either.
6. Manmohan Singh
For heading post-Independence India's most corrupt government.
7. Jawaharlal Nehru
For condemning India to half-a-century of poverty by imposing a socialist economy.
8. Indira Gandhi
For making India a most poor and corrupt country by destroying its institutions.
1. P V Narasimha Rao
For starting India's real modernisation in 1991 by switching the economy from socialism to capitalism.
2. Jawaharlal Nehru
For helping India to survive as a free and united country by steering the Republic in its infancy.
3. Lal Bahadur Shastri
For making India self-reliant in food production by fathering the Green Revolution in 1966.
4. Atal Behari Vajpayee
For making India a nuclear-weapon power and continuing its modernisation.
5. Rajiv Gandhi
For not doing much good, but not doing much harm either.
6. Manmohan Singh
For heading post-Independence India's most corrupt government.
7. Jawaharlal Nehru
For condemning India to half-a-century of poverty by imposing a socialist economy.
8. Indira Gandhi
For making India a most poor and corrupt country by destroying its institutions.
28 February 2015
Society/System: Sheep & Wolves
People go to work and make money.
They go to malls and spend money.
They live in nice houses.
They drive nice cars.
This is the system called 'society'.
Nothing runs on its own.
Especially a system.
It has to be run.
By some people.
99% of people simply live in the system.
They make money.
They spend money.
They are the sheep.
1% of people run the system.
They are the wolves.
They control the sheep.
Sheep are good.
Wolves are bad.
It is the existence of wolves that allows sheep to exist and to be good.
They go to malls and spend money.
They live in nice houses.
They drive nice cars.
This is the system called 'society'.
Nothing runs on its own.
Especially a system.
It has to be run.
By some people.
99% of people simply live in the system.
They make money.
They spend money.
They are the sheep.
1% of people run the system.
They are the wolves.
They control the sheep.
Sheep are good.
Wolves are bad.
It is the existence of wolves that allows sheep to exist and to be good.
24 January 2015
The Soldier
All the battles he fought
All the battles he lost
Do they mean something?
Do they mean anything?
He stands amidst the ruins
Ruins of his own making
Where does he go from here?
Is there anywhere?
Where did he go wrong?
At the beginning?
How did he go wrong?
By following You?
Why did You make him?
To fight a war?
Where is his army?
Where are his weapons?
You sent him here
Alone and unarmed
To fight a battle
A wolf among sheep.
A soldier he is
In the battlefield
Lost and lonely
Afraid and defeated.
Each day comes
As a dark cloud
And goes away
Followed by another.
Where is the light?
Where is the path?
Where is the answer?
Where is the joy?
How much longer?
How much more?
Till he gives way
And falls to the ground.
He has nothing left
Only pain and fear
Show him the way
Or end his fate.
What wrong did he do?
All he did was
Walk on Your path
The path of right.
Are You testing him?
Is this a test?
If yes, he is close
To failing it.
He is falling apart
Piece by piece
Just a matter of time
Till nothing is left.
He lies in the battlefield
Bruised and battered
Wounded and tired
Waiting for a sign.
Show him something
Show him a way
Or take him
And be done with it.
He will fight
To the bitter end
Till jackals and vultures
Feast on his bones.
He will go down
With a sword in his hand
A smile on his face
And a song on his lips.
All the battles he lost
Do they mean something?
Do they mean anything?
He stands amidst the ruins
Ruins of his own making
Where does he go from here?
Is there anywhere?
Where did he go wrong?
At the beginning?
How did he go wrong?
By following You?
Why did You make him?
To fight a war?
Where is his army?
Where are his weapons?
You sent him here
Alone and unarmed
To fight a battle
A wolf among sheep.
A soldier he is
In the battlefield
Lost and lonely
Afraid and defeated.
Each day comes
As a dark cloud
And goes away
Followed by another.
Where is the light?
Where is the path?
Where is the answer?
Where is the joy?
How much longer?
How much more?
Till he gives way
And falls to the ground.
He has nothing left
Only pain and fear
Show him the way
Or end his fate.
What wrong did he do?
All he did was
Walk on Your path
The path of right.
Are You testing him?
Is this a test?
If yes, he is close
To failing it.
He is falling apart
Piece by piece
Just a matter of time
Till nothing is left.
He lies in the battlefield
Bruised and battered
Wounded and tired
Waiting for a sign.
Show him something
Show him a way
Or take him
And be done with it.
He will fight
To the bitter end
Till jackals and vultures
Feast on his bones.
He will go down
With a sword in his hand
A smile on his face
And a song on his lips.
12 January 2015
Technocrats in India's Politics
Technocrats in India's politics:
| Manmohan Singh | PhD @ Oxford | UNCTAD |
| P Chidambaram | MBA @ Harvard | Lawyer |
| Yashwant Sinha | MA @ Patna University | IAS |
| Arun Shourie | PhD @ Syracuse | World Bank |
| Jairam Ramesh | MS @ Carnegie Mellon | World Bank |
| Montek S Ahluwalia | MPhil @ Oxford | World Bank |
15 December 2014
Politics: India, China, America
1. AMERICA [Scene: A school inspection]
Teacher: Good morning, sir.
Inspector: Good morning.
Teacher: Welcome to our school.
Inspector: Thank you.
Teacher: Our school is the best school in the city. Our boys are the best boys in the city.
Inspector: Really?
Teacher: Yes, sir.
Inspector: Can you show me some of your boys?
Teacher (points to 1st boy in 1st bench): This is John. He is our 1st rank student. He will study law, enter politics and become President of the country.
Inspector: Excellent!!!
Teacher (points to 2nd boy in 1st bench): This is James. He is our 2nd rank student. He will study law, enter politics and become Governor of the state.
Inspector: Excellent!!
Teacher (points to 3rd boy in 1st bench): This is Joseph. He is our 3rd rank student. He will study law, enter politics and become Mayor of the city.
Inspector: Excellent!
Inspector (points to the boy in last bench): What about him?
Teacher (embarrassed): He is Alex. He has flunked 3 years in a row.
Inspector: Don't worry. He will drop out and become a drug addict. Then he'll become a rock star.
2. CHINA [Scene: A school inspection]
Teacher: Good morning, sir.
Inspector: Good morning.
Teacher: Welcome to our school.
Inspector: Thank you.
Teacher: Our school is the best school in the city. Our boys are the best boys in the city.
Inspector: Really?
Teacher: Yes, sir.
Inspector: Can you show me some of your boys?
Teacher (points to 1st boy in 1st bench): This is Chang. He is our 1st rank student. He will study engineering, join the government and become President of the country.
Inspector: Excellent!!!
Teacher (points to 2nd boy in 1st bench): This is Ching. He is our 2nd rank student. He will study engineering, join the government and become Governor of the province.
Inspector: Excellent!!
Teacher (points to 3rd boy in 1st bench): This is Chung. He is our 3rd rank student. He will study engineering, join the government and become Mayor of the city.
Inspector: Excellent!
Inspector (points to the boy in last bench): What about him?
Teacher (embarrassed): He is Cho. He has flunked 3 years in a row.
Inspector: Don't worry. He will drop out and learn kung fu. Then he'll become a movie star.
3. INDIA [Scene: A school inspection]
Teacher: Good morning, sir.
Inspector: Good morning.
Teacher: Welcome to our school.
Inspector: Thank you.
Teacher: Our school is the best school in the city. Our boys are the best boys in the city.
Inspector: Really?
Teacher: Yes, sir.
Inspector: Can you show me some of your boys?
Teacher (points to 1st boy in 1st bench): This is Rama. He is our 1st rank student. He will study medicine and become a doctor.
Inspector: Excellent!!!
Teacher (points to 2nd boy in 1st bench): This is Shyama. He is our 2nd rank student. He will study engineering and become an engineer.
Inspector: Excellent!!
Teacher (points to 3rd boy in 1st bench): This is Bhima. He is our 3rd rank student. He will study management and become a manager.
Inspector: Excellent!
Inspector (points to the boy in last bench): What about him?
Teacher (embarrassed): He is Timma. He has flunked 3 years in a row.
Inspector: Don't worry. He will drop out and become a politician. He will become a corporator, MLA and MP. He may become Chief Minister or even Prime Minister.
Teacher: Good morning, sir.
Inspector: Good morning.
Teacher: Welcome to our school.
Inspector: Thank you.
Teacher: Our school is the best school in the city. Our boys are the best boys in the city.
Inspector: Really?
Teacher: Yes, sir.
Inspector: Can you show me some of your boys?
Teacher (points to 1st boy in 1st bench): This is John. He is our 1st rank student. He will study law, enter politics and become President of the country.
Inspector: Excellent!!!
Teacher (points to 2nd boy in 1st bench): This is James. He is our 2nd rank student. He will study law, enter politics and become Governor of the state.
Inspector: Excellent!!
Teacher (points to 3rd boy in 1st bench): This is Joseph. He is our 3rd rank student. He will study law, enter politics and become Mayor of the city.
Inspector: Excellent!
Inspector (points to the boy in last bench): What about him?
Teacher (embarrassed): He is Alex. He has flunked 3 years in a row.
Inspector: Don't worry. He will drop out and become a drug addict. Then he'll become a rock star.
2. CHINA [Scene: A school inspection]
Teacher: Good morning, sir.
Inspector: Good morning.
Teacher: Welcome to our school.
Inspector: Thank you.
Teacher: Our school is the best school in the city. Our boys are the best boys in the city.
Inspector: Really?
Teacher: Yes, sir.
Inspector: Can you show me some of your boys?
Teacher (points to 1st boy in 1st bench): This is Chang. He is our 1st rank student. He will study engineering, join the government and become President of the country.
Inspector: Excellent!!!
Teacher (points to 2nd boy in 1st bench): This is Ching. He is our 2nd rank student. He will study engineering, join the government and become Governor of the province.
Inspector: Excellent!!
Teacher (points to 3rd boy in 1st bench): This is Chung. He is our 3rd rank student. He will study engineering, join the government and become Mayor of the city.
Inspector: Excellent!
Inspector (points to the boy in last bench): What about him?
Teacher (embarrassed): He is Cho. He has flunked 3 years in a row.
Inspector: Don't worry. He will drop out and learn kung fu. Then he'll become a movie star.
3. INDIA [Scene: A school inspection]
Teacher: Good morning, sir.
Inspector: Good morning.
Teacher: Welcome to our school.
Inspector: Thank you.
Teacher: Our school is the best school in the city. Our boys are the best boys in the city.
Inspector: Really?
Teacher: Yes, sir.
Inspector: Can you show me some of your boys?
Teacher (points to 1st boy in 1st bench): This is Rama. He is our 1st rank student. He will study medicine and become a doctor.
Inspector: Excellent!!!
Teacher (points to 2nd boy in 1st bench): This is Shyama. He is our 2nd rank student. He will study engineering and become an engineer.
Inspector: Excellent!!
Teacher (points to 3rd boy in 1st bench): This is Bhima. He is our 3rd rank student. He will study management and become a manager.
Inspector: Excellent!
Inspector (points to the boy in last bench): What about him?
Teacher (embarrassed): He is Timma. He has flunked 3 years in a row.
Inspector: Don't worry. He will drop out and become a politician. He will become a corporator, MLA and MP. He may become Chief Minister or even Prime Minister.
08 December 2014
India's Middle Class and Politics
Q: Why does India's middle class not participate in politics?
Middle class is a modern/industrial class. But Indian society is not yet an industrial society. It is still an agricultural society. Worse, it is a feudal society. So India's middle class is an industrial island in an agricultural/feudal ocean. An industrial society runs on merit, knowledge and education. A feudal society runs on money, muscle and caste.
A country's politics is a function of its society. That is, a country's politics is decided by what kind of society it has. An industrial society has industrial politics – ie, professional knowledge-based politics. A feudal society has feudal politics – ie, the politics of money, muscle and caste. Since India is a feudal society, it has money-muscle-caste politics.
Since the middle class is an industrial class, it has only merit, knowledge and education – but not money, muscle and caste. So it is unable to operate in India's money-muscle-caste politics.
Therefore the Indian middle class does not participate in politics.
Middle class is a modern/industrial class. But Indian society is not yet an industrial society. It is still an agricultural society. Worse, it is a feudal society. So India's middle class is an industrial island in an agricultural/feudal ocean. An industrial society runs on merit, knowledge and education. A feudal society runs on money, muscle and caste.
A country's politics is a function of its society. That is, a country's politics is decided by what kind of society it has. An industrial society has industrial politics – ie, professional knowledge-based politics. A feudal society has feudal politics – ie, the politics of money, muscle and caste. Since India is a feudal society, it has money-muscle-caste politics.
Since the middle class is an industrial class, it has only merit, knowledge and education – but not money, muscle and caste. So it is unable to operate in India's money-muscle-caste politics.
Therefore the Indian middle class does not participate in politics.
01 December 2014
Middle Class Indians' Marriage Obsession
Middle class Indians are obsessed with marriage. But there is a small exception to this rule:
Why is it so?
In ancient/traditional India, there were two types of people:
1. Grihasthas (householders)
2. Sanyasis (ascetics)
The vast majority of the people were Grihasthas. They married, had children and took care of their families. That is, they pursued Kama and Artha. Then there were a few Sanyasis. These stayed single and devoted themselves completely to working for society or to spirituality. That is, they pursued either Dharma or Moksha.
Both these options were open to all the Varnas. But since only Brahmanas had knowledge, only they (ie, a few of them) became Sanyasis. Since non-Brahmanas did not have knowledge, none of them became Sanyasis; they were all Grihasthas only. Thus society became like this:
This system has existed for 3000 years. So today's society is a result of 3000 years of social programming – which is very powerful. Therefore we have the situation described by the first table. Non-Brahmins (most of them) know only one thing: make money, marry and have children. But Brahmins (a few at least) are aware of an alternate path: devote oneself completely to society or to spirituality.
Thus the middle class Indian marriage obsession has a small Brahmin exception. But among non-Brahmins, it is total.
The Sanyasi system is and should be an exception. If everybody becomes a Sanyasi, then society will cease to exist.
| Brahmins | |
| Non-Brahmins |
Why is it so?
In ancient/traditional India, there were two types of people:
1. Grihasthas (householders)
2. Sanyasis (ascetics)
The vast majority of the people were Grihasthas. They married, had children and took care of their families. That is, they pursued Kama and Artha. Then there were a few Sanyasis. These stayed single and devoted themselves completely to working for society or to spirituality. That is, they pursued either Dharma or Moksha.
Both these options were open to all the Varnas. But since only Brahmanas had knowledge, only they (ie, a few of them) became Sanyasis. Since non-Brahmanas did not have knowledge, none of them became Sanyasis; they were all Grihasthas only. Thus society became like this:
| Brahmanas | ||
| Non-Brahmanas |
This system has existed for 3000 years. So today's society is a result of 3000 years of social programming – which is very powerful. Therefore we have the situation described by the first table. Non-Brahmins (most of them) know only one thing: make money, marry and have children. But Brahmins (a few at least) are aware of an alternate path: devote oneself completely to society or to spirituality.
Thus the middle class Indian marriage obsession has a small Brahmin exception. But among non-Brahmins, it is total.
The Sanyasi system is and should be an exception. If everybody becomes a Sanyasi, then society will cease to exist.
07 November 2014
Life, Love, Duty, Society, Country
COUNTRY
# There is Absolute Truth and there are relative truths. And the greatest relative truth is India.
# Love is the greatest force in the world. And love of one's country is the greatest love in the world.
# What can be more natural than the love of one's land, its people and their culture?
# If there is any cause in this world worth living for, fighting for and dying for – it is India.
# The 3 greatest blessings in the world:
1. To be born in India
2. To live in India
3. To work for India
LIFE
# Life is war. The world is a battlefield. And we are all soldiers.
# Life is a war. Every day is a battle. Give every day/battle your 100%.
# Life|War = 1/3 Preparing + 1/3 Fighting + 1/3 Waiting. The last is the toughest.
# A man's life must be judged by how much it increases the order of the System (ie, society).
DUTY
# Dharma is the highest Purushartha. And Rashtra Dharma is the highest Dharma.
# Great nations are not built by people who seek their own happiness. They are built by sacrifice.
# A patriot's life is dedicated 100% to his country. There is no 'balance' in his life. 'Balance' is for vegetable sellers, not patriots.
# The lofty ideals of country/nation/Motherland and duty/service/sacrifice can only be achieved through the mundane thing called SYSTEM – ie, getting into the right system and working in it.
LOVE
# What is love? It is surrender. It is submission. It is sacrifice. To an ideal greater than our petty individual selves.
# Romantic love, or male-female attraction, is a chemical reaction inside the brain. It is a program written by evolution to ensure the survival of the species.
# Most people don't know the meaning of love. They equate love with sexual attraction. True love is dedication to a great ideal.
# The concept of love has been hijacked by the entertainment industry, which has reduced it to sexual attraction. Patriots must take it back and make it their own.
# All love is good. But all love is not the same. There is the lower/ordinary love (family/friends) and the higher/great love (country/society).
SOCIETY
# Society/civilisation is the constant struggle of Order against Chaos.
# First law of thermodynamics says that energy cannot be created – it can only be converted from one form to another. Brahmacharya transforms sexual energy into social energy.
# Second law of thermodynamics says that a system's order can be increased only by supplying energy. For the system called society, where must this extra energy come from? It comes from Brahmacharya.
15 October 2014
Nietzsche: A Brief Life Story/Biography
Today is the 170th birth anniversary of the great German philosopher Friedrich Nietzsche (1844–1900). A brief life story/biography:
Nietzsche (pronounced 'neecha') was born on 15 October 1844 in a village called Roecken in the kingdom of Prussia (today's east Germany). His father, a priest, passed away when he was 5 years old. The family then moved to a nearby town called Naumburg. There he studied at Prussia's most prestigious school - Schulpforta - and excelled as a student. He then went to Bonn University to study philology – the study of the ancient Western languages: Greek and Latin. After one year, he moved to the University of Leipzig.
At age 23, Nietzsche joined the Prussian army and excelled as a cavalry officer. But a horse-riding accident injured his chest severely and forced him to quit the army. The injury would stay with him all his life. 2 years later, he volunteered as a paramedic in the Franco-Prussian war and contracted dysentery and diphtheria. These diseases too stayed with him till the end.
[That year (1870), Otto von Bismarck (Prime Minister of Prussia) completed unifying the 40 different kingdoms of Germany into a single kingdom – for the first time in history. Germany was now Europe's largest – and most powerful – country]
Nietzsche finished his PhD at age 25. He became a professor of philology at the University of Basel in Switzerland. He was the youngest philology professor in Europe. But he suffered a lot from his injury and diseases. 10 years later, at age 35, he retired and got a small pension. He spent the next 10 years (age 35 to 45) living in different places in Italy, France and Switzerland. This was the period when he wrote his greatest books: Thus Spoke Zarathustra (1885), Beyond Good And Evil (1886) and others.
At age 45, when he was in Turin (Italy), Nietzsche had a mental breakdown and became insane. His mother took him to Naumburg and looked after him. 10 years later, he passed away at age 55 in Weimar, on 25 August 1900. His body was buried in the Roecken churchyard. His notes were published as Will To Power the next year.
Nietzsche is the greatest thinker produced by Western civilisation. He went far ahead of Western philosophy. He had the honesty, the courage and the intelligence to ask the right questions. Unfortunately, 19th century Europe was unaware of Hindu/Indian philosophy – which has the answers. So he had only the pain of his questions (which finally drove him insane). He never found the peace of the answers (which he so richly deserved).
We are filled with respect and admiration for Nietzsche's genius. Equally, we are filled with sadness at his tragic fate. My pranaams to this great Rishi of the West.
See Nietzsche's Superman theory.
Nietzsche (pronounced 'neecha') was born on 15 October 1844 in a village called Roecken in the kingdom of Prussia (today's east Germany). His father, a priest, passed away when he was 5 years old. The family then moved to a nearby town called Naumburg. There he studied at Prussia's most prestigious school - Schulpforta - and excelled as a student. He then went to Bonn University to study philology – the study of the ancient Western languages: Greek and Latin. After one year, he moved to the University of Leipzig.
At age 23, Nietzsche joined the Prussian army and excelled as a cavalry officer. But a horse-riding accident injured his chest severely and forced him to quit the army. The injury would stay with him all his life. 2 years later, he volunteered as a paramedic in the Franco-Prussian war and contracted dysentery and diphtheria. These diseases too stayed with him till the end.
[That year (1870), Otto von Bismarck (Prime Minister of Prussia) completed unifying the 40 different kingdoms of Germany into a single kingdom – for the first time in history. Germany was now Europe's largest – and most powerful – country]
Nietzsche finished his PhD at age 25. He became a professor of philology at the University of Basel in Switzerland. He was the youngest philology professor in Europe. But he suffered a lot from his injury and diseases. 10 years later, at age 35, he retired and got a small pension. He spent the next 10 years (age 35 to 45) living in different places in Italy, France and Switzerland. This was the period when he wrote his greatest books: Thus Spoke Zarathustra (1885), Beyond Good And Evil (1886) and others.
At age 45, when he was in Turin (Italy), Nietzsche had a mental breakdown and became insane. His mother took him to Naumburg and looked after him. 10 years later, he passed away at age 55 in Weimar, on 25 August 1900. His body was buried in the Roecken churchyard. His notes were published as Will To Power the next year.
Nietzsche is the greatest thinker produced by Western civilisation. He went far ahead of Western philosophy. He had the honesty, the courage and the intelligence to ask the right questions. Unfortunately, 19th century Europe was unaware of Hindu/Indian philosophy – which has the answers. So he had only the pain of his questions (which finally drove him insane). He never found the peace of the answers (which he so richly deserved).
We are filled with respect and admiration for Nietzsche's genius. Equally, we are filled with sadness at his tragic fate. My pranaams to this great Rishi of the West.
See Nietzsche's Superman theory.
01 September 2014
Education in the Agricultural Age/Society
In the Agricultural Age, there were 4 groups in society:
1. Scholars
2. Warriors
3. Merchants
4. Farmers
This was true for all civilisations (India, China, Europe, etc).
Knowledge in the Agricultural Age was low. The knowledge required in people for the effective functioning of society was also low. Whatever knowledge existed was required only for the scholars. It was not required for the other groups – ie, warriors, merchants, farmers. So in all civilisations, only the scholars got education. The others (warriors, merchants, farmers) did not get education.
In India, these social groups were nothing but the Varnas:
1. Scholars – Brahmanas
2. Warriors – Kshatriyas
3. Merchants – Vaishyas
4. Farmers – Shudras
Thus in ancient India, only the Brahmanas had education. The others (Kshatriyas, Vaishyas, Shudras) did not have education.
1. Scholars
2. Warriors
3. Merchants
4. Farmers
This was true for all civilisations (India, China, Europe, etc).
Knowledge in the Agricultural Age was low. The knowledge required in people for the effective functioning of society was also low. Whatever knowledge existed was required only for the scholars. It was not required for the other groups – ie, warriors, merchants, farmers. So in all civilisations, only the scholars got education. The others (warriors, merchants, farmers) did not get education.
In India, these social groups were nothing but the Varnas:
1. Scholars – Brahmanas
2. Warriors – Kshatriyas
3. Merchants – Vaishyas
4. Farmers – Shudras
Thus in ancient India, only the Brahmanas had education. The others (Kshatriyas, Vaishyas, Shudras) did not have education.
01 August 2014
India's Middle Class: Money, Marriage, Family
India's middle class is obsessed with two things: money and marriage. Why?
An industrial society (US, Europe, Japan) has welfare systems like social security, social welfare, etc. An agricultural society (like India) has no such systems. Because there is no social security, people must rely completely on their savings. Because there is no social welfare system, people must rely completely on their family (ie, wife/husband and children). Therefore people in agricultural societies are obsessed with money and marriage. Obsession with money and marriage is a feature of the agricultural mindset. People with a truly modern/industrial mindset are not obsessed with money and marriage.
As India industrialises and becomes an industrial society – and builds the systems of an industrial society, this obsession will reduce.
An industrial society (US, Europe, Japan) has welfare systems like social security, social welfare, etc. An agricultural society (like India) has no such systems. Because there is no social security, people must rely completely on their savings. Because there is no social welfare system, people must rely completely on their family (ie, wife/husband and children). Therefore people in agricultural societies are obsessed with money and marriage. Obsession with money and marriage is a feature of the agricultural mindset. People with a truly modern/industrial mindset are not obsessed with money and marriage.
As India industrialises and becomes an industrial society – and builds the systems of an industrial society, this obsession will reduce.
01 July 2014
1944: Russia's "Year Of Ten Victories"
This year Russia celebrates the 70th anniversary of The Year Of Ten Victories. During World War 2, USSR won 10 major battles against Germany, as the Red Army pushed the Wehrmacht west:
| 1. January | |
| 2. February/March | |
| 3. April | |
| 4. June | |
| 5. June | |
| 6. July/August | |
| 7. August | |
| 8. September | |
| 9. October | |
| 10. November |
At least 2 crore Soviet men, women and children died in World War 2.
01 June 2014
Chanakya/Kautilya's Arthashastra
From Chanakya/Kautilya's Arthashastra*:
By following this book one can create and preserve Dharma (good), Artha (wealth) and Kama (happiness) – and also destroy their opposites: evil, poverty and sorrow. [15.1.72]
The four branches of knowledge are philosophy, the Vedas, economics and politics. Philosophy is the lamp that illuminates all sciences; it provides the techniques for all actions; it is the pillar that supports Dharma. We must study philosophy because it helps us to distinguish between Dharma and Adharma in the study of the Vedas, between profit and loss in the study of economics, and between good and bad policies in the study of politics. Studying the other three sciences by the light of philosophy keeps our minds steady in adversity and prosperity, and makes us proficient in thought, speech and action. [1.2.10]
May the wisdom of Chanakya and the strength of Chandragupta be with us always.
*The Arthashastra – L N Rangarajan (1987, Penguin)
By following this book one can create and preserve Dharma (good), Artha (wealth) and Kama (happiness) – and also destroy their opposites: evil, poverty and sorrow. [15.1.72]
The four branches of knowledge are philosophy, the Vedas, economics and politics. Philosophy is the lamp that illuminates all sciences; it provides the techniques for all actions; it is the pillar that supports Dharma. We must study philosophy because it helps us to distinguish between Dharma and Adharma in the study of the Vedas, between profit and loss in the study of economics, and between good and bad policies in the study of politics. Studying the other three sciences by the light of philosophy keeps our minds steady in adversity and prosperity, and makes us proficient in thought, speech and action. [1.2.10]
May the wisdom of Chanakya and the strength of Chandragupta be with us always.
*The Arthashastra – L N Rangarajan (1987, Penguin)
08 May 2014
India, My India
India, my India
You are my passion, you are my obsession
You are my dream, you are my nightmare
You are my hope, you are my fear
You are my blessing, you are my curse
You are my mission, you are my destiny
You are my mother, you are my goddess
You are the best thing to happen to me
You are the worst thing to happen to me.
I live for you
I work for you
I die for you.
Every breath of my body belongs to you
Every ounce of my strength belongs to you
Every moment of my life belongs to you
My body, my mind, my soul
Everything I have belongs to you.
24 hours are not enough
365 days are not enough
One life is not enough
To serve you.
Two arms are not enough
Two legs are not enough
One head is not enough
One body is not enough
To fight for you.
If I can bring but one smile on your face
I will consider my life fulfilled.
To see you sitting on your throne
Wearing your crown, ruling the world
Would be the greatest joy of my life.
I would give everything, I would do anything.
No cost is too much to bear
No price is too high to pay
No burden is too heavy to carry
No sacrifice is too big to make.
I will walk on thorns for you
I will stand in fire for you
I will burn in hell for you.
Hunger, thirst, heat, cold
Fear, pain, suffering
I will bear anything for you.
What care do I for wealth?
What care do I for luxury?
What care do I for comforts?
What care do I for happiness?
All I care about is you
All I think about is you
All I want is you.
To be born in your womb
To live in your lap
Is the greatest gift of all.
To pour my life at your feet
Is the greatest privilege of all.
My intelligence, my knowledge
My ability, my energy
And my insanity
Are given to me
So I can serve you.
Darkness, loneliness
Fear, frustration
Doubt, depression
And meaninglessness;
One glimpse of your beautiful face
Is enough to drive all demons away
And bring back the shining light.
You are the sun in the day
You are the moon in the night
You are the stars in the sky
You are the lighthouse in the stormy sea
You are my guide
As long as I have you
I cannot stray.
You are my aim, you are my way
You are my ends, you are my means
You are my goal, you are my path
You are my purpose, you are my meaning.
You are the air I breathe
You are the water I drink
You are the earth I stand on.
Every pore of my skin is filled with you
Every cell of my body is filled with you
Every thought of my mind is filled with you
My whole being is filled with you.
You are my father, you are my mother
You are my brother, you are my sister
You are my friend, you are my lover.
What deeds did I do to deserve this boon?
What good did I do to deserve this grace?
What merit did I earn? In which life?
To bathe in the sweet waters of your love
Sinner that I am.
God, give me strength
Turn my body into iron
Turn my mind into metal
Turn my nerves into steel
Turn my heart into stone.
Let me not flinch
Let me not hesitate
Let me not look back.
There is only way to go
That way is forward.
I love you, I hate you
I laugh for you, I cry for you
I wake for you, I sleep for you
I sing for you, I dance for you
I sweat for you, I bleed for you
Everything I do, I do for you.
If I have you I have everything
Without you life is not worth living
India, my India.
You are my passion, you are my obsession
You are my dream, you are my nightmare
You are my hope, you are my fear
You are my blessing, you are my curse
You are my mission, you are my destiny
You are my mother, you are my goddess
You are the best thing to happen to me
You are the worst thing to happen to me.
I live for you
I work for you
I die for you.
Every breath of my body belongs to you
Every ounce of my strength belongs to you
Every moment of my life belongs to you
My body, my mind, my soul
Everything I have belongs to you.
24 hours are not enough
365 days are not enough
One life is not enough
To serve you.
Two arms are not enough
Two legs are not enough
One head is not enough
One body is not enough
To fight for you.
If I can bring but one smile on your face
I will consider my life fulfilled.
To see you sitting on your throne
Wearing your crown, ruling the world
Would be the greatest joy of my life.
I would give everything, I would do anything.
No cost is too much to bear
No price is too high to pay
No burden is too heavy to carry
No sacrifice is too big to make.
I will walk on thorns for you
I will stand in fire for you
I will burn in hell for you.
Hunger, thirst, heat, cold
Fear, pain, suffering
I will bear anything for you.
What care do I for wealth?
What care do I for luxury?
What care do I for comforts?
What care do I for happiness?
All I care about is you
All I think about is you
All I want is you.
To be born in your womb
To live in your lap
Is the greatest gift of all.
To pour my life at your feet
Is the greatest privilege of all.
My intelligence, my knowledge
My ability, my energy
And my insanity
Are given to me
So I can serve you.
Darkness, loneliness
Fear, frustration
Doubt, depression
And meaninglessness;
One glimpse of your beautiful face
Is enough to drive all demons away
And bring back the shining light.
You are the sun in the day
You are the moon in the night
You are the stars in the sky
You are the lighthouse in the stormy sea
You are my guide
As long as I have you
I cannot stray.
You are my aim, you are my way
You are my ends, you are my means
You are my goal, you are my path
You are my purpose, you are my meaning.
You are the air I breathe
You are the water I drink
You are the earth I stand on.
Every pore of my skin is filled with you
Every cell of my body is filled with you
Every thought of my mind is filled with you
My whole being is filled with you.
You are my father, you are my mother
You are my brother, you are my sister
You are my friend, you are my lover.
What deeds did I do to deserve this boon?
What good did I do to deserve this grace?
What merit did I earn? In which life?
To bathe in the sweet waters of your love
Sinner that I am.
God, give me strength
Turn my body into iron
Turn my mind into metal
Turn my nerves into steel
Turn my heart into stone.
Let me not flinch
Let me not hesitate
Let me not look back.
There is only way to go
That way is forward.
I love you, I hate you
I laugh for you, I cry for you
I wake for you, I sleep for you
I sing for you, I dance for you
I sweat for you, I bleed for you
Everything I do, I do for you.
If I have you I have everything
Without you life is not worth living
India, my India.
13 April 2014
Maslow's Hierarchy of Needs and Purusharthas
Correspondence between Maslow's hierarchy of needs and Purusharthas:
| 1. Basic/Physical | |
| 2. Security | |
| 3. Emotional | |
| 4. Success | |
| 5. Self-actualisation |
22 July 2013
India: Democracy or Feudocracy?
The political system of the Modern Age is democracy. The political system of the medieval period was feudalism.
India's political system looks more like column 2 than like column 1. So India is not a democracy, but a feudocracy.
| 1. Objective of the system | ||
| 2. Basis of the system | ||
| 3. Selection of system workers |
India's political system looks more like column 2 than like column 1. So India is not a democracy, but a feudocracy.
30 June 2013
Revolution/Reform in India
Revolution = rapid change (Latin volvere = 'roll')
Reform = gradual change (Latin forma = 'mould')
In every country gradual change is the norm, and rapid change is the exception. That is – reform is the norm, and revolution is the exception.
India is the world's oldest civilisation (5000 years old). Inertia is proportional to age. So India's inertia is very high. Here no change is the norm, gradual change is the exception, and rapid change is impossible. That is – reform is the exception, and revolution is impossible. The only revolution possible in India is reform. In India, reform itself is a revolution.
* Every revolution begins with one man.
* A revolution is not an event. It is a process.
* The most successful revolution is an invisible revolution.
* The best place and time for a revolution is always here and now.
* Every revolutionary is a wannabe dictator. Every dictator is a former revolutionary.
Reform = gradual change (Latin forma = 'mould')
In every country gradual change is the norm, and rapid change is the exception. That is – reform is the norm, and revolution is the exception.
India is the world's oldest civilisation (5000 years old). Inertia is proportional to age. So India's inertia is very high. Here no change is the norm, gradual change is the exception, and rapid change is impossible. That is – reform is the exception, and revolution is impossible. The only revolution possible in India is reform. In India, reform itself is a revolution.
* Every revolution begins with one man.
* A revolution is not an event. It is a process.
* The most successful revolution is an invisible revolution.
* The best place and time for a revolution is always here and now.
* Every revolutionary is a wannabe dictator. Every dictator is a former revolutionary.
31 May 2013
"A Perfect Life"
Perfection is a static state.
Life is a dynamic process.
So "perfect life" is a contradiction in terms. Such a thing cannot exist. It is logically impossible.
Life is a dynamic process.
So "perfect life" is a contradiction in terms. Such a thing cannot exist. It is logically impossible.
25 April 2013
India/Hindus and Israel/Jews: Similarities
Similarities between India/Hindus and Israel/Jews:
| Year | ||
| (approx) | ||
| 700 BC | ||
| 600 BC | ||
| 500 BC | ||
| 300 BC | ||
| 100 BC | ||
| 1 AD | ||
| 100 AD | ||
| 500 AD | ||
| 600 AD | ||
| 700 AD | ||
| 1000 AD | ||
| 1200 AD | ||
| 1400 AD | ||
| 1500 AD | ||
| 1750 AD | ||
| Year | ||
| 1948 | ||
| 1956 | ||
| 1962 | ||
| 1965 | ||
| 1967 | ||
| 1971 | ||
| 1973 | ||
| 1999 | ||
04 March 2013
"Lincoln" Vs Bollywood: Movies and Idealism
Steven Spielberg's Lincoln has a misleading title. A more accurate title would have been Amendment 13. For that is what the movie is really about – the 13th amendment to America's constitution, that abolished slavery (in 1865). But the central figure is still President Abraham Lincoln, played by Daniel Day-Lewis. Day-Lewis' Lincoln is an idealist, a man of lofty ideals. But he is also a realist, a practical man. He realises that to achieve those lofty ideals, it is sometimes necessary to use not-so-lofty means. He is a simple and humble man. But he is also a powerful man – a man who is aware of his power, and is willing to use that power to achieve what he thinks is right. Tommy Lee Jones is superb as the liberal Congressman Thaddeus Stevens, who pushes the amendment through the House. The debates in the House are the best scenes of the movie, with some powerful dialogues (written by Tony Kushner). Lincoln is about idealism. It is about freedom, justice and doing what is right. A movie about the President who freed America's blacks – when the country has its first black President. Can it get more poetic?
In a TV program, Bollywood producer/director Karan Johar said that Lincoln was "boring", and he had "fallen asleep" while watching it. Lincoln got 12 Oscar nominations, and won 2 Oscar awards. Spielberg's previous films include Schindler's List, Amistad and Munich. I am sure Johar found them also boring, and slept through them too. He, on the other hand, has given us all-time cinematic masterpieces like Kuch kuch hota hai, Kabhi khushi kabhi gham, Kabhi alvida na kehna, My name is Khan and Student of the year.
The difference in quality between Spielberg and Johar apart, there is a larger point here. For Bollywood, love means only romantic love. Is there no other kind of love? What about love of one's country? For Bollywood, the only thing in the world worth falling in love with is a good-looking woman/man. Is there nothing else? What about ideals like freedom, justice and equality? Are they not worth loving? Are they not worth living for, fighting for and dying for? Every guy tells his girlfriend that he will die for her, but how many have actually done that? On the other hand, history is drenched with the blood of the crores of men and women who gave their lives for their country and their ideals. Yet Bollywood prides itself on churning out boy-meets-girl flicks (with the boy and girl singing and dancing around trees). The pinnacle of this industry's achievement is Salman Khan starrers that gross Rs 100 crore at the box office. As for the smug and pompous Karan Johar, he will earn my respect the day he makes a picture that moves me and inspires me – like Lincoln.
In a TV program, Bollywood producer/director Karan Johar said that Lincoln was "boring", and he had "fallen asleep" while watching it. Lincoln got 12 Oscar nominations, and won 2 Oscar awards. Spielberg's previous films include Schindler's List, Amistad and Munich. I am sure Johar found them also boring, and slept through them too. He, on the other hand, has given us all-time cinematic masterpieces like Kuch kuch hota hai, Kabhi khushi kabhi gham, Kabhi alvida na kehna, My name is Khan and Student of the year.
The difference in quality between Spielberg and Johar apart, there is a larger point here. For Bollywood, love means only romantic love. Is there no other kind of love? What about love of one's country? For Bollywood, the only thing in the world worth falling in love with is a good-looking woman/man. Is there nothing else? What about ideals like freedom, justice and equality? Are they not worth loving? Are they not worth living for, fighting for and dying for? Every guy tells his girlfriend that he will die for her, but how many have actually done that? On the other hand, history is drenched with the blood of the crores of men and women who gave their lives for their country and their ideals. Yet Bollywood prides itself on churning out boy-meets-girl flicks (with the boy and girl singing and dancing around trees). The pinnacle of this industry's achievement is Salman Khan starrers that gross Rs 100 crore at the box office. As for the smug and pompous Karan Johar, he will earn my respect the day he makes a picture that moves me and inspires me – like Lincoln.
05 February 2013
India's Politics = Money + Muscle + Caste
Indian politics is nothing but the politics of money, muscle and caste. How did this come about?
* 30% of India lives in poverty.
* 25% of India is illiterate.
* 70% of India lives in villages.
* 50% of India works in agriculture.
* India had 1000 years of feudalism (under the Turks, Mughals and British).
Having a democracy based on universal adult franchise in such a society automatically leads to the politics of money, muscle and caste. Money, muscle and caste politics is nothing but the logical consequence of opting for adult franchise in 1947.
Liberals staunchly defend universal franchise, and staunchly criticise money, muscle and caste politics. But the latter is a direct result of the former.
See India's Democracy = Corruption + Violence + Casteism
* 30% of India lives in poverty.
* 25% of India is illiterate.
* 70% of India lives in villages.
* 50% of India works in agriculture.
* India had 1000 years of feudalism (under the Turks, Mughals and British).
Having a democracy based on universal adult franchise in such a society automatically leads to the politics of money, muscle and caste. Money, muscle and caste politics is nothing but the logical consequence of opting for adult franchise in 1947.
Liberals staunchly defend universal franchise, and staunchly criticise money, muscle and caste politics. But the latter is a direct result of the former.
See India's Democracy = Corruption + Violence + Casteism
05 January 2013
India's Politics: Corruption
Rajni Kothari ("Politics in India", 1970) on corruption:
"An elaborate network of patronage has developed, extending deep into the countryside. Much of this is controlled and directed from levels lower than the state. Availability of new kinds of jobs, distribution of loans and benefits, control of institutions dealing with credit and scarce materials, establishment of new positions of prestige and authority, the penetration of educational institutions and voluntary organisations with new resources, and above all a known and intelligible pattern of influence and corruption – all these have brought life and significance to the governmental machine, endowed it with political meaning, and led to an increasing communication between traditional society and the new structure of institutions."
"An elaborate network of patronage has developed, extending deep into the countryside. Much of this is controlled and directed from levels lower than the state. Availability of new kinds of jobs, distribution of loans and benefits, control of institutions dealing with credit and scarce materials, establishment of new positions of prestige and authority, the penetration of educational institutions and voluntary organisations with new resources, and above all a known and intelligible pattern of influence and corruption – all these have brought life and significance to the governmental machine, endowed it with political meaning, and led to an increasing communication between traditional society and the new structure of institutions."
04 January 2013
India's Politics: The Urban Middle Class
Rajni Kothari ("Politics in India", 1970) on how the urban middle class lost power to the rural zamindars:
"Different stages in the social organisation of politics call for somewhat different leadership and organisational skills, and the movement from one stage to another may displace one kind of leadership by another. Consequently, one social group endowed with one type of social skills may be displaced by another endowed with another type of skills.
Thus in the early stage of intellectual awakening and urban-style political organisation, the need was for people able to deal with Western and Westernised administrators, well-versed in fine points of debate and ideological disputation, possessing legal acumen, and capable of founding and sustaining small associations of public-minded persons that would agitate for specific causes. Such men were mainly provided by the Brahminic and traditional administrative classes who not only took to the new education but had also been endowed by a long tradition of scholastic knowledge and formal brilliance.
With the movement into a more diversified and mass-oriented politics, however, not only was there a need for a wider base of support articulation but also for new types of managerial and organisational skills. With this shift in orientation, the Brahminic and administrative castes began to be outnumbered by men from commercial and peasant proprietor occupations, occupations that had always called for a high level of interpersonal skills, a pragmatic and bargaining approach to problems, and an ability to marshal a new type of solidarity among their own castes, often based on a reinterpretation of their traditional status and a populist and anti-elitist ideology. These were the new entrepreneurs, the new innovators, of politics. They were less modern than the elites they replaced, less educated and more rural-based, operated through an idiom that was decidedly more traditional.
There has taken place a growing politicisation of the traditional sub-centres of Indian society. The rural elites have seized the organisation of these sub-centres and have on the basis of a new consolidation – caste federations, cooperative societies, panchayati raj – pushed themselves upward to state and national levels. Utilising the opportunities of cooptation offered by the metropolitan elite, they have occupied crucial positions at higher levels and have generally succeeded in outnumbering and outwitting the modernists."
"Different stages in the social organisation of politics call for somewhat different leadership and organisational skills, and the movement from one stage to another may displace one kind of leadership by another. Consequently, one social group endowed with one type of social skills may be displaced by another endowed with another type of skills.
Thus in the early stage of intellectual awakening and urban-style political organisation, the need was for people able to deal with Western and Westernised administrators, well-versed in fine points of debate and ideological disputation, possessing legal acumen, and capable of founding and sustaining small associations of public-minded persons that would agitate for specific causes. Such men were mainly provided by the Brahminic and traditional administrative classes who not only took to the new education but had also been endowed by a long tradition of scholastic knowledge and formal brilliance.
With the movement into a more diversified and mass-oriented politics, however, not only was there a need for a wider base of support articulation but also for new types of managerial and organisational skills. With this shift in orientation, the Brahminic and administrative castes began to be outnumbered by men from commercial and peasant proprietor occupations, occupations that had always called for a high level of interpersonal skills, a pragmatic and bargaining approach to problems, and an ability to marshal a new type of solidarity among their own castes, often based on a reinterpretation of their traditional status and a populist and anti-elitist ideology. These were the new entrepreneurs, the new innovators, of politics. They were less modern than the elites they replaced, less educated and more rural-based, operated through an idiom that was decidedly more traditional.
There has taken place a growing politicisation of the traditional sub-centres of Indian society. The rural elites have seized the organisation of these sub-centres and have on the basis of a new consolidation – caste federations, cooperative societies, panchayati raj – pushed themselves upward to state and national levels. Utilising the opportunities of cooptation offered by the metropolitan elite, they have occupied crucial positions at higher levels and have generally succeeded in outnumbering and outwitting the modernists."
03 January 2013
India's Politicians: The Rural Zamindars
Rajni Kothari ("Politics in India", 1970) on politicians – the rural zamindars:
"In order to make itself secure in office, the ruling groups in the states have increasingly relied on the rural vote, spreading its patronage far and wide controlling local authorities, educational institutions and other developmental agencies, including important voluntary organisations. Concomitantly, institutional power shifted downward and a different set of men emerged who took charge of these networks, captured positions in the party organisation, and slowly acquired considerable strength and power.
The new organisation men that emerged are to be found away from the urban centres of state power in small towns and district capitals, closer to the traditional order, and exhibiting a new style in Indian politics. They are pragmatic men, less oriented to the modernist idiom but modernisers in their own way, men who understand the subtleties and nuances of local society, powerful persons who have taken time in coming up, and who are therefore confident of their own strength. When elections come, the state leaders have to rely increasingly upon these men who happen both to occupy positions of influence in the institutions of planned change and to be in close communication with socially entrenched and economically powerful local elites. Some of them are popular leaders, others ruthless managers, but they control the vote.
Generally coming from the well-to-do class of peasant proprietors, they are men of some means, skilled in the art of managing men and running institutions, and very knowledgeable concerning local conditions.
They have to establish a rapport with the local bullies (muscle) who can intimidate and cajole the people, who normally keep faith, and who in their crude way maintain peace in the locality."
"In order to make itself secure in office, the ruling groups in the states have increasingly relied on the rural vote, spreading its patronage far and wide controlling local authorities, educational institutions and other developmental agencies, including important voluntary organisations. Concomitantly, institutional power shifted downward and a different set of men emerged who took charge of these networks, captured positions in the party organisation, and slowly acquired considerable strength and power.
The new organisation men that emerged are to be found away from the urban centres of state power in small towns and district capitals, closer to the traditional order, and exhibiting a new style in Indian politics. They are pragmatic men, less oriented to the modernist idiom but modernisers in their own way, men who understand the subtleties and nuances of local society, powerful persons who have taken time in coming up, and who are therefore confident of their own strength. When elections come, the state leaders have to rely increasingly upon these men who happen both to occupy positions of influence in the institutions of planned change and to be in close communication with socially entrenched and economically powerful local elites. Some of them are popular leaders, others ruthless managers, but they control the vote.
Generally coming from the well-to-do class of peasant proprietors, they are men of some means, skilled in the art of managing men and running institutions, and very knowledgeable concerning local conditions.
They have to establish a rapport with the local bullies (muscle) who can intimidate and cajole the people, who normally keep faith, and who in their crude way maintain peace in the locality."
02 January 2013
India's Politics: Caste
Rajni Kothari ("Politics in India", 1970) on caste:
"Everyone recognises that the social system in India is organised around caste structures and caste identities. In dealing with the relationship between caste and politics, however, the tendency is to start at the wrong end of the question: Is caste disappearing? In part such an approach comes from a widely held dichotomy between traditional and modern forms of organisation. In reality, however, no social system disappears. A more useful point of departure would be: What form is caste taking under the impact of politics, and what form is politics taking in a caste-oriented society?
Those who complain of 'casteism in politics' in India are really looking for a sort of politics that has no basis in society. They also probably lack any clear conception of either the nature of politics or the nature of the caste system. (Some of them would want to throw out both politics and the caste system) The process of politics is one of identifying and manipulating existing structures in order to mobilise support and consolidate positions. Where the caste structure provides one of the most important organisational clusters in which the population is found to live, politics must strive to organise through such a structure."
"Everyone recognises that the social system in India is organised around caste structures and caste identities. In dealing with the relationship between caste and politics, however, the tendency is to start at the wrong end of the question: Is caste disappearing? In part such an approach comes from a widely held dichotomy between traditional and modern forms of organisation. In reality, however, no social system disappears. A more useful point of departure would be: What form is caste taking under the impact of politics, and what form is politics taking in a caste-oriented society?
Those who complain of 'casteism in politics' in India are really looking for a sort of politics that has no basis in society. They also probably lack any clear conception of either the nature of politics or the nature of the caste system. (Some of them would want to throw out both politics and the caste system) The process of politics is one of identifying and manipulating existing structures in order to mobilise support and consolidate positions. Where the caste structure provides one of the most important organisational clusters in which the population is found to live, politics must strive to organise through such a structure."
01 January 2013
"Politics in India": Rajni Kothari
Rajni Kothari's "Politics in India" (1970) is a systematic study of Indian politics.
Contents:
A. Introduction
1. Theoretical background
2. Historical background
3. Political background
B. The Political System
4. Development of the system
5. Political parties
C. The System's Environment
6. Indian/Hindu society
7. Indian/Hindu culture
D. The System's Performance
8. Political performance
9. Economic performance
10. Foreign affairs
11. Future trends
Contents:
A. Introduction
1. Theoretical background
2. Historical background
3. Political background
B. The Political System
4. Development of the system
5. Political parties
C. The System's Environment
6. Indian/Hindu society
7. Indian/Hindu culture
D. The System's Performance
8. Political performance
9. Economic performance
10. Foreign affairs
11. Future trends
20 December 2012
India: Ordinary Men Vs Great Men (Society/Family)
A brilliant psychological analysis* of how the Indian society/family is designed to produce a mass of ordinary men and only a very few great men (like Swami Vivekananda and Mahatma Gandhi):
"Almost all students of Indian personality have been struck by the extreme indulgence of the Indian child, principally by the mother but also by other members of the family. This gives rise to a sense of omnipotence in the infant, a feeling that is fortified by nursing practices and physical proximity with the mother for an extended period of time.
An important consequence of this is that there develops in the Indian child a strong individual ego. As a result, moral energy does not come from the pressure of guilt feelings arising from a failure to live up to the social ideal, but depends crucially on a self-cultivated individual ideal. Fulfillment of the ideals set for the individual – rather than social obligation – becomes the main drive for moral action.
This creates wide gaps in individual capacities. For the average Indian, as morality has reference to self-directed and introspective perfection, the compulsion to perform is not very great. On the other hand, the culture develops high and universalist ideals with which the creative and power-motivated individuals strongly identify: the theme that the individual itself is the Absolute drives them to ever higher levels of perfection.
This gulf between the drives of ordinary men and those of great men results in abstract concepts of duty and morality, and a personality ideal that is high and remote – realisable only by exceptional men whose authority derives from their capacity to embody virtues that are lacking in ordinary men. Hence the exaggerated role of the guru, the ascetic, the warrior, and indirectly of a hierarchy of roles, and charisma."
*Politics in India – Rajni Kothari (1970)
See Nietzsche's "Superman" Theory
"Almost all students of Indian personality have been struck by the extreme indulgence of the Indian child, principally by the mother but also by other members of the family. This gives rise to a sense of omnipotence in the infant, a feeling that is fortified by nursing practices and physical proximity with the mother for an extended period of time.
An important consequence of this is that there develops in the Indian child a strong individual ego. As a result, moral energy does not come from the pressure of guilt feelings arising from a failure to live up to the social ideal, but depends crucially on a self-cultivated individual ideal. Fulfillment of the ideals set for the individual – rather than social obligation – becomes the main drive for moral action.
This creates wide gaps in individual capacities. For the average Indian, as morality has reference to self-directed and introspective perfection, the compulsion to perform is not very great. On the other hand, the culture develops high and universalist ideals with which the creative and power-motivated individuals strongly identify: the theme that the individual itself is the Absolute drives them to ever higher levels of perfection.
This gulf between the drives of ordinary men and those of great men results in abstract concepts of duty and morality, and a personality ideal that is high and remote – realisable only by exceptional men whose authority derives from their capacity to embody virtues that are lacking in ordinary men. Hence the exaggerated role of the guru, the ascetic, the warrior, and indirectly of a hierarchy of roles, and charisma."
*Politics in India – Rajni Kothari (1970)
See Nietzsche's "Superman" Theory
05 November 2012
India: Ancient Vs Medieval - Traditional Vs Feudal Politico-Economic Systems
A comparison of the politico-economic systems of ancient and medieval India (traditional vs feudal):
| . | ||
| 1. Nationality of the rulers | ||
| . | ||
| 2. Objective of the system | ||
| . | ||
| 3. Basis of the system | ||
| . | ||
| 4. Political nature | ||
| . | ||
| 5. Economic objective | ||
| . | ||
| 6. Religious agenda | ||
| . | ||
| 7. Legal basis |
16 October 2012
Materialism, Spirituality and Idealism in India
What is the purpose of life? All human goals can be classified into 4 groups:
1. Kama (desire, pleasure)
2. Artha (wealth, power)
3. Dharma (morality, duty)
4. Moksha (salvation)
Accordingly we have the 3 philosophies of life:
A. Materialism – The pursuit of Kama and Artha
B. Idealism – The pursuit of Dharma
C. Spirituality – The pursuit of Moksha
Materialism does not give us happiness. Worse, it breeds selfishness, dishonesty and corruption – leading to the downfall of the society/nation. Example: Roman Empire.
Spirituality is offered as an alternative to materialism. But spirituality is an other-worldly philosophy. It rejects life in this world. By neglecting society, it also leads to the downfall of a nation. Example: India around 1000 AD.
So what is the solution? Lost between the two extremes of materialism and spirituality is the true answer: idealism – the pursuit of Dharma. If people live by certain simple rules (ie, morality) and do their duty sincerely, it brings both individual happiness and social well-being.
For 4000 years India gave primacy to Dharma – and was the world's richest and most powerful civilisation. Then, for some reason, we started giving primacy to Moksha. The result was we were conquered and ruled by foreigners (Turks, Mughals, British) for 1000 years.
In 1947 AD (Kali Yuga 5049) we finally became free. It was a golden opportunity to restore Dharma as the foundation of our nation. Instead, we confused Dharma with religion and threw it into the dustbin (because we are "secular"). The vacuum was filled by materialism. The results are there for all to see today.
The time has come to rescue India from both materialism and spirituality, and restore idealism (Dharma) as our national philosophy.
1. Kama (desire, pleasure)
2. Artha (wealth, power)
3. Dharma (morality, duty)
4. Moksha (salvation)
Accordingly we have the 3 philosophies of life:
A. Materialism – The pursuit of Kama and Artha
B. Idealism – The pursuit of Dharma
C. Spirituality – The pursuit of Moksha
Materialism does not give us happiness. Worse, it breeds selfishness, dishonesty and corruption – leading to the downfall of the society/nation. Example: Roman Empire.
Spirituality is offered as an alternative to materialism. But spirituality is an other-worldly philosophy. It rejects life in this world. By neglecting society, it also leads to the downfall of a nation. Example: India around 1000 AD.
So what is the solution? Lost between the two extremes of materialism and spirituality is the true answer: idealism – the pursuit of Dharma. If people live by certain simple rules (ie, morality) and do their duty sincerely, it brings both individual happiness and social well-being.
For 4000 years India gave primacy to Dharma – and was the world's richest and most powerful civilisation. Then, for some reason, we started giving primacy to Moksha. The result was we were conquered and ruled by foreigners (Turks, Mughals, British) for 1000 years.
In 1947 AD (Kali Yuga 5049) we finally became free. It was a golden opportunity to restore Dharma as the foundation of our nation. Instead, we confused Dharma with religion and threw it into the dustbin (because we are "secular"). The vacuum was filled by materialism. The results are there for all to see today.
The time has come to rescue India from both materialism and spirituality, and restore idealism (Dharma) as our national philosophy.
See:
01 September 2012
The Most Important People in Society
The most important people in society are:
1. Farmers
2. Teachers
3. Soldiers
But they are given the least importance.
The most useless people in society are:
1. Movie stars
2. Cricket players
3. Politicians
But they are given the most importance.
1. Farmers
2. Teachers
3. Soldiers
But they are given the least importance.
The most useless people in society are:
1. Movie stars
2. Cricket players
3. Politicians
But they are given the most importance.
04 August 2012
Classification of World Religions
Classification of world religions:
A. Indian (Hindu/Aryan)
1. Shaivism
2. Vaishnavism
3. Shaktism
4. Buddhism
5. Jainism
6. Sikhism
B. East Asian (Sinic)
1. Confucianism
2. Taoism
3. Shintoism
C. West Asian (Semitic)
1. Judaism
2. Christianity
3. Islam
A. Indian (Hindu/Aryan)
1. Shaivism
2. Vaishnavism
3. Shaktism
4. Buddhism
5. Jainism
6. Sikhism
B. East Asian (Sinic)
1. Confucianism
2. Taoism
3. Shintoism
C. West Asian (Semitic)
1. Judaism
2. Christianity
3. Islam
07 July 2012
When Did World War 2 Start?
Q: When Did World War 2 Start?
A: 1939
WRONG! World War 2 began in 1937, when Japan invaded China on 7 July 1937.
On 1 September 1939, Germany invaded Poland – starting the Second World War in Europe. But the war itself had already begun.
Western historians say World War 2 began in 1939, not 1937. This only shows their Western bias and Euro-centric view of the world. There is no need for us to parrot this lie.
Today is the 75th anniversary of the beginning of the most destructive war in history.
A: 1939
WRONG! World War 2 began in 1937, when Japan invaded China on 7 July 1937.
On 1 September 1939, Germany invaded Poland – starting the Second World War in Europe. But the war itself had already begun.
Western historians say World War 2 began in 1939, not 1937. This only shows their Western bias and Euro-centric view of the world. There is no need for us to parrot this lie.
Today is the 75th anniversary of the beginning of the most destructive war in history.
17 June 2012
India's Caste/Varna System: An Economic System
The four inputs (factors) of production are land, labour, capital and knowledge. Efficiency can be achieved by specialisation. In ancient India, different social groups (Varnas) specialised in handling the different factors of production:
Thus the Varna/caste system was born, based on economic specialisation.
See The Origin of the Varna/Caste System.
| Varna | |
| Brahmana | |
| Kshatriya | |
| Vaishya | |
| Shudra |
Thus the Varna/caste system was born, based on economic specialisation.
See The Origin of the Varna/Caste System.
04 May 2012
"IF" - Rudyard Kipling: Kannada Translation
My crude Kannada translation of Rudyard Kipling's "IF" (1895):
ಧೀರ
ಜನ ತಲೆ ಕೆಟ್ಟು ನಿನಗೆ ಶಾಪ ಹಾಕಿದಾಗ,
ನೀನು ಶಾಂತವಾಗಿರು.
ಯಾರೂ ನಿನ್ನನ್ನು ನಂಬದಿದ್ದಾಗ ನಿನ್ನನ್ನು ನೀನು ನಂಬು,
ಆದರೆ ಅವರ ಸಂದೇಹವನ್ನೂ ಗೌರವಿಸು.
ಜೀವನದಲ್ಲಿ ಕಾಯುವುದು ಅನಿವಾರ್ಯ;
ಕಾಯುವುದರಿಂದ ಸುಸ್ತಾಗದಿರು.
ನಿನ್ನ ಬಗ್ಗೆ ಜನ ಸುಳ್ಳು ಹೇಳಿದಾಗ, ನೀನು ಸುಳ್ಳು ಹೇಳದಿರು.
ನಿನ್ನನ್ನು ಜನ ದ್ವೇಷಿಸಿದಾಗ, ನೀನು ದ್ವೇಷಿಸದಿರು.
ಆದರೂ ಸಂತನ ಹಾಗೆ ಕಾಣದಿರು, ಋಷಿಯ ಹಾಗೆ ನುಡಿಯದಿರು.
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
ಕನಸು ಕಾಣು - ಆದರೆ ಕನಸುಗಳು ನಿನ್ನ ಮಾಲೀಕ ಆಗದಿರಲಿ.
ಚಿಂತನೆ ಮಾಡು - ಆದರೆ ಚಿಂತನೆಗಳು ನಿನ್ನ ಗುರಿ ಆಗದಿರಲಿ.
ಗೆಲುವು-ಸೋಲುಗಳನ್ನು ಎದುರಿಸಿ,
ಆ ಎರಡು ವಂಚಕರನ್ನು ಸಮವಾಗಿ ನೋಡು.
ನೀನು ಹೇಳಿದ ಸತ್ಯವನ್ನು ನೀಚರು ತಿರುಚಿಸಿ
ಮೂರ್ಖರಿಗೆ ಬಲೆ ಹೆಣೆದರೆ ಹೆಣೆಯಲಿ.
ನೀನು ಜೀವನ ಕೊಟ್ಟ ಕಾರ್ಯ ನಾಶವಾದಾಗ,
ಬಗ್ಗಿ ಸವೆದು ಹೋದ ಯಂತ್ರಗಳಿಂದ ಅದನ್ನು ಮತ್ತೆ ಕಟ್ಟಿಸು.
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
ಜೀವನದ ಜೂಜಾಟದಲ್ಲಿ ನೀನು ಗೆದ್ದಿದ್ದನ್ನು ಎಲ್ಲ ರಾಶಿ ಮಾಡಿ,
ಅದನ್ನು ನಾಣ್ಯದ ಒಂದು ಎಸೆತದ ಮೇಲೆ ಜೂಜಿಡು.
ಸೋತರೆ ಮತ್ತೆ ಮೊದಲಿನಿಂದ ಆಟ ಶುರು ಮಾಡು;
ಯಾರಿಗೂ ನಿನ್ನ ನಷ್ಟದ ಬಗ್ಗೆ ಹೇಳದಿರು.
ಎದೆ-ನರ-ಸ್ನಾಯುಗಳು ಕಿತ್ತು ಹೋದರೂ ಹೋರಾಟ ಮಾಡು
ನಿನ್ನಲ್ಲಿ "ಮುನ್ನಡೆ!" ಎನ್ನುವ ಮನಸ್ಸು ಒಂದೇ ಉಳಿದಾಗ
ನೀನು ಮುನ್ನಡೆ!
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
ಬಡವರ ಜತೆ ನುಡಿ - ಆದರೆ ಶ್ರೇಷ್ಠನಾಗಿರು.
ಒಡೆಯರ ಜತೆ ನಡೆ - ಆದರೆ ಸಾಮಾನ್ಯನಾಗಿರು.
ಶತ್ರುಗಳು ಮಿತ್ರರು ಯಾರೂ ನಿನ್ನನ್ನು ದುಃಖಿಸಬಲ್ಲರು.
ಎಲ್ಲರನ್ನು ಪ್ರೀತಿಸು, ಯಾರನ್ನೂ ಮೋಹಿಸಬೇಡ.
ನಿರ್ದಯ ದಿನವನ್ನು 24 ಗಂಟೆಗಳ ಕೆಲಸದಿಂದ ತುಂಬಿಸು.
ಈ ಭೂಮಿ ನಿನ್ನದು, ಈ ಭೂಮಿಯ ಸಂಪತ್ತು ನಿನ್ನದು.
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
ಜನ ತಲೆ ಕೆಟ್ಟು ನಿನಗೆ ಶಾಪ ಹಾಕಿದಾಗ,
ನೀನು ಶಾಂತವಾಗಿರು.
ಯಾರೂ ನಿನ್ನನ್ನು ನಂಬದಿದ್ದಾಗ ನಿನ್ನನ್ನು ನೀನು ನಂಬು,
ಆದರೆ ಅವರ ಸಂದೇಹವನ್ನೂ ಗೌರವಿಸು.
ಜೀವನದಲ್ಲಿ ಕಾಯುವುದು ಅನಿವಾರ್ಯ;
ಕಾಯುವುದರಿಂದ ಸುಸ್ತಾಗದಿರು.
ನಿನ್ನ ಬಗ್ಗೆ ಜನ ಸುಳ್ಳು ಹೇಳಿದಾಗ, ನೀನು ಸುಳ್ಳು ಹೇಳದಿರು.
ನಿನ್ನನ್ನು ಜನ ದ್ವೇಷಿಸಿದಾಗ, ನೀನು ದ್ವೇಷಿಸದಿರು.
ಆದರೂ ಸಂತನ ಹಾಗೆ ಕಾಣದಿರು, ಋಷಿಯ ಹಾಗೆ ನುಡಿಯದಿರು.
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
ಕನಸು ಕಾಣು - ಆದರೆ ಕನಸುಗಳು ನಿನ್ನ ಮಾಲೀಕ ಆಗದಿರಲಿ.
ಚಿಂತನೆ ಮಾಡು - ಆದರೆ ಚಿಂತನೆಗಳು ನಿನ್ನ ಗುರಿ ಆಗದಿರಲಿ.
ಗೆಲುವು-ಸೋಲುಗಳನ್ನು ಎದುರಿಸಿ,
ಆ ಎರಡು ವಂಚಕರನ್ನು ಸಮವಾಗಿ ನೋಡು.
ನೀನು ಹೇಳಿದ ಸತ್ಯವನ್ನು ನೀಚರು ತಿರುಚಿಸಿ
ಮೂರ್ಖರಿಗೆ ಬಲೆ ಹೆಣೆದರೆ ಹೆಣೆಯಲಿ.
ನೀನು ಜೀವನ ಕೊಟ್ಟ ಕಾರ್ಯ ನಾಶವಾದಾಗ,
ಬಗ್ಗಿ ಸವೆದು ಹೋದ ಯಂತ್ರಗಳಿಂದ ಅದನ್ನು ಮತ್ತೆ ಕಟ್ಟಿಸು.
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
ಜೀವನದ ಜೂಜಾಟದಲ್ಲಿ ನೀನು ಗೆದ್ದಿದ್ದನ್ನು ಎಲ್ಲ ರಾಶಿ ಮಾಡಿ,
ಅದನ್ನು ನಾಣ್ಯದ ಒಂದು ಎಸೆತದ ಮೇಲೆ ಜೂಜಿಡು.
ಸೋತರೆ ಮತ್ತೆ ಮೊದಲಿನಿಂದ ಆಟ ಶುರು ಮಾಡು;
ಯಾರಿಗೂ ನಿನ್ನ ನಷ್ಟದ ಬಗ್ಗೆ ಹೇಳದಿರು.
ಎದೆ-ನರ-ಸ್ನಾಯುಗಳು ಕಿತ್ತು ಹೋದರೂ ಹೋರಾಟ ಮಾಡು
ನಿನ್ನಲ್ಲಿ "ಮುನ್ನಡೆ!" ಎನ್ನುವ ಮನಸ್ಸು ಒಂದೇ ಉಳಿದಾಗ
ನೀನು ಮುನ್ನಡೆ!
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
ಬಡವರ ಜತೆ ನುಡಿ - ಆದರೆ ಶ್ರೇಷ್ಠನಾಗಿರು.
ಒಡೆಯರ ಜತೆ ನಡೆ - ಆದರೆ ಸಾಮಾನ್ಯನಾಗಿರು.
ಶತ್ರುಗಳು ಮಿತ್ರರು ಯಾರೂ ನಿನ್ನನ್ನು ದುಃಖಿಸಬಲ್ಲರು.
ಎಲ್ಲರನ್ನು ಪ್ರೀತಿಸು, ಯಾರನ್ನೂ ಮೋಹಿಸಬೇಡ.
ನಿರ್ದಯ ದಿನವನ್ನು 24 ಗಂಟೆಗಳ ಕೆಲಸದಿಂದ ತುಂಬಿಸು.
ಈ ಭೂಮಿ ನಿನ್ನದು, ಈ ಭೂಮಿಯ ಸಂಪತ್ತು ನಿನ್ನದು.
ನೀನು ಧೀರ, ಮರೆಯದಿರು.
12 April 2012
Dipankar Gupta: "Mistaken Modernity - India Between Worlds"
Dipankar Gupta was professor of sociology at JNU. A review of his "Mistaken Modernity: India Between Worlds" (2000):
Modernity
"Modernity has to do with attitudes, especially those that come into play in social relations. A modern society is one in which at least the following characteristics must be present:
- Dignity of the individual
- Adherence to universalistic norms
- Elevation of individual achievement over privileges of birth
- Accountability in public life."
This is a very narrow and selective definition of modernity. Modernity refers to the totality of the technology, economy, society, politics and culture that came into being after the Industrial Revolution. See Modernity: Technology, Economy, Society, Politics.
Modernisation
"Once these attributes are in place, it does not really matter if there is high-level technology. Generally speaking, technology (is a) consequence of the four characteristics of modernisation listed above, and (does not by itself) constitute modernity."
This is complete nonsense. The above characteristics are the features of an industrial society – which was the product of the Industrial Revolution. See The Techno-Economic Basis of Society.
India Today
"An analysis of contemporary India will reveal that while there has been a definite move from tradition, what we see around us is not yet modern. If the clock were to stop here, the final diagnosis should declare India as still unmodern."
Of course India is not yet modern. India began modernising properly only from 1991 onwards. See India's Modernisation. Today India can be said to be only 50% modern. See my Index of Modernisation. By the way, this delay in India's modernisation was due to Nehru's socialism – which Prof Gupta also believes in (see below).
Economics
"In this era (of globalisation), trade unions have been laid low and, along with it, the emphasis on production and producers as the main planks of economic thought and policy making. In their place, the consumer has stepped in and has become pivotal in all calculations.
Thus in the age when production was central, technologies entered only if they first cleared national barriers regarding what will be produced. Today, consumers get the first preference and any obstruction, in getting these goods and services across to them is anathema to the ideology of globalisation. In the age of globalisation, the consumer is king while the producer has been put out to pasture.
In other words, economic policies today tend to centre on what consumers want. It is no longer material if this brings about unemployment, greater economic dependency or lack of trade union privileges. These issues mattered a great deal in the age of internationalisation, which was production-centric."
Production and consumption are two sides of the same coin, two halves of the same process. How can there be any production without consumption? What is the use of producing goods for which there is no demand? Prof Gupta should stick to sociology, and leave economics alone (but then, he has gotten his sociology also wrong). To talk about production vs consumption is meaningless. His real argument here is socialism vs capitalism.
Socialism
"(Before globalisation,) national well-being and economic sovereignty were critical issues then that could not be ignored; indeed, these had to be kept up front in any policy formulation. This approach quite logically favoured planned and centralised development in which workers' rights, wages, wage goods and production conditions were critical considerations. Therefore, if the long-term interest of the nation meant that cars of a certain kind, or colour televisions, would not be produced because that might jeopardise a country's economic self-reliance, then that was that.
Economic restrictions and trade policies that earlier determined what will be produced, and how, are now looked at with distaste."
Here Prof Gupta openly makes the case for socialism. These are exactly the policies that kept India poor for 40 years – and delayed India's modernisation (an issue he is so worked up over).
Tradition
"The encumbrances of tradition permanently debased large numbers of people who were locked in an unyielding social hierarchy. There was no such thing as a universal law in traditional India, leaving subjects completely at the whim of their superiors. People suffered untold misery because of the accident of their birth.
Anyone who has seen how tradition has shackled the poor, or how it has tormented Hindu widows, will not have the slightest hesitation in welcoming modernity with all its stated drawbacks."
Tradition is the way of life of agricultural society, and modernity is the way of life of industrial society. Agricultural society was an unequal society all over the world – not just in India. Even Western society was like this before the Industrial Revolution.
Feudalism
"Much of the recent spate of murders and mayhem is only a bold reassertion of traditional Indian culture. Women and underlings must always be subservient, or else. Those wielding positions of power are not accountable to anyone. Children, especially boys, are supposed to run amok all their lives, more so if they come from privileged homes.
To hold modernity responsible for the grisly incidents of urban violence perpetrated by political brats, or to blame westernisation for the molestation of women in hotel discotheques, only corroborates what we Indians hate to admit: that our traditional culture is deeply flawed at its core."
These perversions are not "tradition", but feudalism – which was the product of 1000 years of Islamic and British rule. See India: Ancient, Medieval, Modern Periods. It is not Hindu tradition that is "deeply flawed at its core", but Islamic+British feudalism – which sadly still survives in India today.
It is Prof Gupta who is mistaken about modernity (and many other things), not India.
Modernity
"Modernity has to do with attitudes, especially those that come into play in social relations. A modern society is one in which at least the following characteristics must be present:
- Dignity of the individual
- Adherence to universalistic norms
- Elevation of individual achievement over privileges of birth
- Accountability in public life."
This is a very narrow and selective definition of modernity. Modernity refers to the totality of the technology, economy, society, politics and culture that came into being after the Industrial Revolution. See Modernity: Technology, Economy, Society, Politics.
Modernisation
"Once these attributes are in place, it does not really matter if there is high-level technology. Generally speaking, technology (is a) consequence of the four characteristics of modernisation listed above, and (does not by itself) constitute modernity."
This is complete nonsense. The above characteristics are the features of an industrial society – which was the product of the Industrial Revolution. See The Techno-Economic Basis of Society.
India Today
"An analysis of contemporary India will reveal that while there has been a definite move from tradition, what we see around us is not yet modern. If the clock were to stop here, the final diagnosis should declare India as still unmodern."
Of course India is not yet modern. India began modernising properly only from 1991 onwards. See India's Modernisation. Today India can be said to be only 50% modern. See my Index of Modernisation. By the way, this delay in India's modernisation was due to Nehru's socialism – which Prof Gupta also believes in (see below).
Economics
"In this era (of globalisation), trade unions have been laid low and, along with it, the emphasis on production and producers as the main planks of economic thought and policy making. In their place, the consumer has stepped in and has become pivotal in all calculations.
Thus in the age when production was central, technologies entered only if they first cleared national barriers regarding what will be produced. Today, consumers get the first preference and any obstruction, in getting these goods and services across to them is anathema to the ideology of globalisation. In the age of globalisation, the consumer is king while the producer has been put out to pasture.
In other words, economic policies today tend to centre on what consumers want. It is no longer material if this brings about unemployment, greater economic dependency or lack of trade union privileges. These issues mattered a great deal in the age of internationalisation, which was production-centric."
Production and consumption are two sides of the same coin, two halves of the same process. How can there be any production without consumption? What is the use of producing goods for which there is no demand? Prof Gupta should stick to sociology, and leave economics alone (but then, he has gotten his sociology also wrong). To talk about production vs consumption is meaningless. His real argument here is socialism vs capitalism.
Socialism
"(Before globalisation,) national well-being and economic sovereignty were critical issues then that could not be ignored; indeed, these had to be kept up front in any policy formulation. This approach quite logically favoured planned and centralised development in which workers' rights, wages, wage goods and production conditions were critical considerations. Therefore, if the long-term interest of the nation meant that cars of a certain kind, or colour televisions, would not be produced because that might jeopardise a country's economic self-reliance, then that was that.
Economic restrictions and trade policies that earlier determined what will be produced, and how, are now looked at with distaste."
Here Prof Gupta openly makes the case for socialism. These are exactly the policies that kept India poor for 40 years – and delayed India's modernisation (an issue he is so worked up over).
Tradition
"The encumbrances of tradition permanently debased large numbers of people who were locked in an unyielding social hierarchy. There was no such thing as a universal law in traditional India, leaving subjects completely at the whim of their superiors. People suffered untold misery because of the accident of their birth.
Anyone who has seen how tradition has shackled the poor, or how it has tormented Hindu widows, will not have the slightest hesitation in welcoming modernity with all its stated drawbacks."
Tradition is the way of life of agricultural society, and modernity is the way of life of industrial society. Agricultural society was an unequal society all over the world – not just in India. Even Western society was like this before the Industrial Revolution.
Feudalism
"Much of the recent spate of murders and mayhem is only a bold reassertion of traditional Indian culture. Women and underlings must always be subservient, or else. Those wielding positions of power are not accountable to anyone. Children, especially boys, are supposed to run amok all their lives, more so if they come from privileged homes.
To hold modernity responsible for the grisly incidents of urban violence perpetrated by political brats, or to blame westernisation for the molestation of women in hotel discotheques, only corroborates what we Indians hate to admit: that our traditional culture is deeply flawed at its core."
These perversions are not "tradition", but feudalism – which was the product of 1000 years of Islamic and British rule. See India: Ancient, Medieval, Modern Periods. It is not Hindu tradition that is "deeply flawed at its core", but Islamic+British feudalism – which sadly still survives in India today.
It is Prof Gupta who is mistaken about modernity (and many other things), not India.
01 March 2012
Industrialisation/Modernisation: Definition
What is industrialisation/modernisation? What is its definition?
Industrialisation/modernisation = Increasing output by using technology (in agriculture, industry and services – in that order).
This is the core/heart/essence of industrialisation or modernisation.
From the Encyclopedia Britannica ("Economic Development"):
"A broader view of industrialisation is more relevant to economic development. In this sense, industrialisation is the application of modern science, technology and management to the task of raising the productivity of resources – not only in the manufacturing sector but in the economy as a whole, including the agricultural sector."
Industrialisation/modernisation = Increasing output by using technology (in agriculture, industry and services – in that order).
This is the core/heart/essence of industrialisation or modernisation.
From the Encyclopedia Britannica ("Economic Development"):
"A broader view of industrialisation is more relevant to economic development. In this sense, industrialisation is the application of modern science, technology and management to the task of raising the productivity of resources – not only in the manufacturing sector but in the economy as a whole, including the agricultural sector."
06 February 2012
India's Development and the Five-Year Plans
Development economics tells us that the keys to a country's development are:
1. Agriculture
2. Education
3. Healthcare
4. Infrastructure
How has India fared in these four areas (in terms of inputs) since 1947? Let us look at the resource allocation for different sectors in our Five-Year Plans:
a) "Agriculture" = Agriculture + Irrigation. From the Seventh Plan onward, it includes Rural Development also.
b) "Infrastructure" = Energy + Transport and Communications.
c) "Social Services" = Education + Healthcare + other services. Separate figures for Education and Healthcare are available only till the Sixth Plan. Till the Sixth Plan, allocations for Education and Healthcare averaged around 6% and 4% respectively – together about 50% of "Social Services".
d) Totals do not equal 100% due to rounding off. Also, the Seventh and later Plans have some minor sectors, which I have left out.
1. Agriculture – Average
2. Education – Poor
3. Healthcare – Poor
4. Infrastructure – Good
Data from Indian Economy (2010) by S K Misra and V K Puri.
1. Agriculture
2. Education
3. Healthcare
4. Infrastructure
How has India fared in these four areas (in terms of inputs) since 1947? Let us look at the resource allocation for different sectors in our Five-Year Plans:
| Plan | Agriculture | Industry | Infrastructure | Social Services |
| 1. 1951–56 | ||||
| 2. 1956–61 | ||||
| 3. 1961–66 | ||||
| A. 1966–69 | ||||
| 4. 1969–74 | ||||
| 5. 1974–79 | ||||
| 6. 1980–85 | ||||
| 7. 1985–90 | ||||
| 8. 1992–97 | ||||
| 9. 1997–02 | ||||
| 10. 2002–07 | ||||
| 11. 2007–12 | ||||
a) "Agriculture" = Agriculture + Irrigation. From the Seventh Plan onward, it includes Rural Development also.
b) "Infrastructure" = Energy + Transport and Communications.
c) "Social Services" = Education + Healthcare + other services. Separate figures for Education and Healthcare are available only till the Sixth Plan. Till the Sixth Plan, allocations for Education and Healthcare averaged around 6% and 4% respectively – together about 50% of "Social Services".
d) Totals do not equal 100% due to rounding off. Also, the Seventh and later Plans have some minor sectors, which I have left out.
- Agriculture and Industry were given equal importance till 1974-79. They received an average of 22% and 23% respectively of the total allocation (from 1956-61 to 1974-79). But we should have given more importance to Agriculture – like the East Asian countries.
- Infrastructure was not neglected, contrary to popular opinion. It received the largest share of resources (average 40%). Then why is our infrastructure so poor?
- Education and Healthcare were neglected – getting only around 6% and 4% respectively. This was our biggest mistake. Only in the last two Plans (2002-07 and 2007-12) did we allocate more resources for them – presumably around 9% and 6% respectively.
- Finally, Industry was given importance till 1974-79: average 23%. This decreased with the "limited liberalisation" of the 1980s (1980-85 and 1985-90): average 14%. It decreased even more after the 1991 reforms (1997-2002 onwards): average 4%, with industry being left to the private sector.
1. Agriculture – Average
2. Education – Poor
3. Healthcare – Poor
4. Infrastructure – Good
Data from Indian Economy (2010) by S K Misra and V K Puri.
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